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The choice of the "100 greatest" was based on the sum of votes of 60 scholars, producers and Brazilian music journalists. Each of the voters chose 20 albums, in no order of preference, which according to Rolling Stone, should be based on criteria like "intrinsical artistic value and historical importance, that is, how much the album influenced other artists."
The song was covered in 1966 by Sérgio Mendes, becoming one of the latter's signature works. It was voted by the Brazilian edition of Rolling Stone as the fifth-greatest Brazilian song. [ 1 ] It was inducted to the Latin Grammy Hall of Fame in 2013.
Released in 1994, the album presents a fusion of funk rock and maracatu and contributed for spreading the music of Pernambuco around the world. Da Lama ao Caos is considered the manifesto of the Manguebeat movement. [2] It was listed by Rolling Stone Brazil as one of the 100 best Brazilian albums in history (13th position). [3]
Construção ranks Number 3 on Rolling Stone's list of 100 greatest Brazilian albums of all time. [4] The magazine also voted its title track as the greatest Brazilian song, stating that it "is still a reference to understand a thorny period of Brazilian society". [5]
On 10 October 2022, he performed the song as part of a mini-concert titled the "Rolling Stone Sessions", promoted by Rolling Stone Brasil. [22] He presented the song at the Multishow Brazilian Music Award on 18 October 2022. [23] Jão also performed the song at the 23rd Annual Latin Grammy Awards premiere ceremony on 17 November 2022. [24] On 8 ...
"Preta, Pretinha" is the most requested song by Novos Baianos fans [13] and it was voted by the Brazilian edition of Rolling Stone as the 20th greatest Brazilian song. [14] "Brasil Pandeiro" and "Mistério do Planeta" are also popular tracks. In 2024, Paste magazine ranked Acabou Chorare number 51 on its list of the greatest album of all-time. [15]
The song was voted by the Brazilian edition of Rolling Stone as the 14th greatest Brazilian song. [6] The 1959 João Gilberto album Chega de Saudade contained the song and was inducted into the Latin Grammy Hall of Fame in 2001.
"Brasileirinho" (Little Brazilian) is a 1947 choro composed by Waldir Azevedo. It is considered one of the most successful and influential choros of all time; this standard has been covered by many artists, like singer Carmen Miranda, acoustic guitarist João Pernambuco [], guitarist Pepeu Gomes, and cellist Yo-Yo Ma (Obrigado Brazil). [1]