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Fabio Lanzoni (Italian pronunciation: [ˈfaːbjo lanˈtsoːni]; born March 15, 1959), known mononymously as Fabio, is an Italian actor, fashion model, and spokesman.. Lanzoni is known for his wide-ranging career including appearing as a romance novel cover model throughout the 1990s, his acting and television roles including multiple cameo appearances as himself, and his music and books.
The song was "Shivers", which was a local hit in Chicago. This helped Fabian meet Dick Clark, who agreed to try Fabian at one of Clark's record hops, where singers would perform to teenage audiences. Fabian lip synched to a song and Clark wrote "the little girls at the hop went wild.
The following is a list of songs that have been the subject of plagiarism disputes. In several of the disputes the artists have stated that the copying of melody or chord progression was unconscious. In some cases the song was sampled or covered. Some cases are still awaiting litigation.
Paul Mazzolini (born 18 February 1960), known by his stage name Gazebo, is an Italian singer, songwriter, musician and record producer best known for his Italo disco music style during the 1980s.
A few years back, Fabio, then a newly minted U.S. citizen, spoke to Yahoo about his latest projects — as well as that long-standing dislike of social media he mentioned.
Fabio has been at the forefront of the dance/rave scene for over three decades. He started his career on the pirate radio station Faze 1 [3] in the mid-1980s, and DJing at Brixton club Mendozas, where he would first meet his longtime DJ partner Grooverider, the pair were at the forefront as the acid house scene exploded.
Roland Kent LaVoie (born July 31, 1943), better known by his stage name Lobo (which is Spanish for wolf), is an American singer-songwriter who was successful in the 1970s, scoring several U.S. Top 10 hits including "Me and You and a Dog Named Boo", "I'd Love You to Want Me", and "Don't Expect Me to Be Your Friend". [1]
Bill Lamb from About.com said that the vocal performances "along with state-of-the-art house rhythms" made up "one of the most exhilarating songs of the year". [10] AllMusic editor Jose F. Promis described it as "unstoppable" and noted that it "incorporated dance , house, and hip hop beats, wailing diva vocals, and rap to come up with one of ...