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The Caucasian race (also Caucasoid, [a] Europid, or Europoid) [2] is an obsolete racial classification of humans based on a now-disproven theory of biological race. [3] [4] [5] The Caucasian race was historically regarded as a biological taxon which, depending on which of the historical race classifications was being used, usually included ancient and modern populations from all or parts of ...
Two historical anthropologists favored a binary racial classification system that divided people into a light skin and dark skin categories. 18th-century anthropologist Christoph Meiners, who first defined the Caucasian race, posited a "binary racial scheme" of two races with the Caucasian whose racial purity was exemplified by the "venerated ...
A color wheel or color circle [1] is an abstract illustrative organization of color hues around a circle, which shows the relationships between primary colors, secondary colors, tertiary colors etc. Some sources use the terms color wheel and color circle interchangeably; [ 2 ] [ 3 ] however, one term or the other may be more prevalent in ...
Caucasian Albania maintained close ties with Armenia, and the Church of Caucasian Albania shared the same Christian dogmas with the Armenian Apostolic Church and had a tradition of their Catholicos being ordained through the Patriarch of Armenia. [9] Sassanian Empire (224 – 651) Byzantine Empire (330 – 1453) Khazars; Arab Caliphates
Graphic design is the practice of combining text with images and concepts, most often for advertisements, publications, or websites.The history of graphic design is frequently traced from the onset of moveable-type printing in the 15th century, yet earlier developments and technologies related to writing and printing can be considered as parts of the longer history of communication.
Basic Color Terms: Their Universality and Evolution (1969; ISBN 1-57586-162-3) is a book by Brent Berlin and Paul Kay. Berlin and Kay's work proposed that the basic color terms in a culture, such as black, brown, or red, are predictable by the number of color terms the culture has. All cultures have terms for black/dark and white/bright.
There were specific rules for interior color choice and placement. The theory of "harmony by analogy" was to use the colors that lay next to each other on the color wheel. And the second was the "harmony by contrast" that was to use the colors that were opposite of one another on the color wheel.
Art historian Dawn Ades writes, "Far from being inferior, or purely decorative, crafts like textiles or ceramics, have always had the possibility of being the bearers of vital knowledge, beliefs and myths." [51] Recognizable art markets between Natives and non-Natives emerged upon contact, but the 1820–1840s were a highly prolific time.