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Princess Henriette of France in court dress playing the viola de gamba, c. 1750–52, by Jean-Marc Nattier Lady Mary Fox wears a grey silk hooded Brunswick gown with striped ribbon ornaments, 1767. Women's clothing styles emphasized a narrow, inverted conical torso, achieved with boned stays, above full skirts.
Yellow wool suit with silk velvet trim shows the influence of English tailoring on European fashion. [23] Spain, c. 1785, Los Angeles County Museum of Art, M.2007.211.801a-c. Royal Navy officer and Governor of New South Wales, Arthur Phillip in a black dress coat and bicorn hat, 1786; 1780s suit of matching coat, waistcoat and breeches. The ...
Silk gowns and stomachers were often intricately embroidered in floral and life motifs, demonstrating great attention to detail and care for an accurate portrayal of nature. [6] A mid-century vogue for striped fabrics had the stripes running different directions on the trim and the body of the gown.
The bourgeoisie of New France generally wore clothes with comparatively finer fabrics, such as silk and velvet, and utilized a wider variety of colour. Men often wore wigs and tri-corner hats with feathers, decorative buttons, and braids, and tended to have embroideries on their clothing. Bourgeois men also tended to wear ties or scarves made ...
The Rococo Revival style emerged in Britain and France in the 19th century. Revival of the rococo style was seen all throughout Europe during the 19th century within a variety of artistic modes and expression including decorative objects of art , paintings , art prints, furniture , and interior design .
A sheer scarf is knotted into a collar around her shoulders, and her white sleeve linings are fastened back with a covered button, 1652. Mary, Princess of Orange wears a satin gown with a long pointed bodice and a satin petticoat. The many tiny pleats that gather in her skirt can be seen, 1652.
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