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The term hamartia derives from the Greek ἁμαρτία, from ἁμαρτάνειν hamartánein, which means "to miss the mark" or "to err". [ 1 ] [ 2 ] It is most often associated with Greek tragedy , although it is also used in Christian theology . [ 3 ]
Preliminary discourse on tragedy, epic poetry, and comedy, as the chief forms of imitative poetry. Definition of a tragedy, and the rules for its construction. Definition and analysis into qualitative parts. Rules for the construction of a tragedy: Tragic pleasure, or catharsis experienced by fear and pity should be produced in the spectator ...
A tragedy is a genre of drama based on human suffering and, mainly, ... Although the utilization of key elements such as suffering, hamartia, morality, and spectacle ...
Greek tragedy (Ancient Greek: τραγῳδία, romanized: tragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek-inhabited Anatolia, along with comedy and the satyr play.
This is a specific sort of flaw, also known as "Hamartia", which is possessed by Aristotelian tragic heros. It is a flaw which causes an otherwise noble or exceptional character to bring about their own downfall and, often, their eventual death.
Aristotle says that peripeteia is the most powerful part of a plot in a tragedy along with discovery (anagnorisis). A peripety is the change of the kind described from one state of things within the play to its opposite, and that too in the way we are saying, in the probable or necessary sequence of events.
Kullervo, a tragic hero from the Karelian and Finnish Kalevala. The influence of the Aristotelian hero extends past classical Greek literary criticism.Greek theater had a direct and profound influence on Roman theater and formed the basis of Western theater, with other tragic heroes including Macbeth in William Shakespeare's The Tragedy of Macbeth, and Othello in his Othello. [4]
Widely regarded in its time as a central work of literary theory, Else's other important contribution is The Origin and Early Form of Greek Tragedy, which was published in 1965. In this work he argued against the view of tragedy as having arisen from religious ritual. Else wrote several other works on Greek literature and philosophy.