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Music is an important part of Hmong life, played for entertainment, for welcoming guests, and at weddings and funerals. Hmong musical instruments includes flutes such as the dra, leaves also called nblaw, two-string vertical fiddle (xim zaus in Hmong), and the qeej or gaeng, a type of mouth organ.
Hmong musicians from Guizhou perform on lusheng in a variety of sizes. The lusheng (simplified Chinese: 芦笙; traditional Chinese: 蘆笙; pinyin: lú shēng, pronounced [lǔʂə́ŋ]; Vietnamese: Khèn Mông; also spelled lu sheng; spelled ghengx in standard Hmong and qeej in Laotian RPA Hmong) is a Hmong musical instrument.
Bass Đàn môi. Dan moi and container. Derived from the mouth harp of the Hmong people, [1] Đàn môi (in Vietnamese: Đàn môi, "lip lute") is the Vietnamese name of a traditional musical instrument widely used in minority ethnic groups in Vietnam (including the Jrai "Rang Leh" [2]).
The qeej is a traditional Hmong reed instrument made of bamboo pipes. Each note of the qeej corresponds with a word, so people familiar with the instrument have a keen understanding of what the ...
The instrument's name comes from the Mandarin Chinese word húlu (葫蘆絲/葫 芦 丝), meaning "Calabash gourd," and si, meaning "silk" (referring to the instrument's smooth tone). HULUSI The instrument is called pi lamtao in the Dai (Tai Nuea) language of Dehong and "pi namtao" in Lue language ( Sipsong Panna ), Khun language ( Kengtung ...
Using western-style instrumentation and instruments to back up Hmong songs Vue's albums and her live performances focus on her clear, bright voice, which is backed up by computer-generated music ...
Examples of type 3 can be the Vietnamese M’buôt , the Bangladeshi Plung and Thai-Lao Khene or Khaen, whereas type 4 has close relation to Hmong people of southern China and adjacent countries. [2] [6] [12] Type 3 M’buôt is found in Truòng Son Ranges of Vietnam, and in Champa, a similar instrument is called rakle. [2]
The pat kon consists of about a dozen (10 - 15) gongs mounted in a vertical crescent-shaped wooden frame. [1] It produces the same range of pitches as the more common gong circles (such as the Kong toch and khong wong), but rather than resting on the ground, the wooden frame of this instrument extends into the air in the shape of a horseshoe.
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