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Kurt Hoffman's Band of Weeds performs "Revolution #9" on the 1992 album Live at the Knitting Factory: Downtown Does the Beatles (Knitting Factory Records). [56] The jam band Phish performed "Revolution 9" (along with almost all of the songs from The Beatles) at their Halloween 1994 concert that was released in 2002 as Live Phish Volume 13. [57]
The Beatles' Second Album "She Loves You" "I'll Get You" UK & US single (US on Swan) 1 — 3 — — — — — 1 — 7 — 7 — 1 — 1 — — — 1 — BPI: Silver [13]; The Beatles' Second Album
A significant moment is the Tonicization of the dominant with the use of vii o 7 /V chord (G ♯ dim) as part of the progression to V 7 (A 7 chord on "You know my name") and I (D chord after "number") that closes the verse. [8] The song is also notable for the use of the 5th chord tone on the VII chord to produce extra dissonance. [9]
George Martin at a performance of the Love stage show. Love contains elements from 130 individual commercially released and demo recordings of the Beatles, [9] and is a complex remix and polymix of multiple songs known as a mashup. [10]
Between 1963 and 1966, the Beatles' songs were released on different albums in the United Kingdom and the United States. In the UK, 30 songs were released as non-album singles, while appearing on numerous albums in the US. Since the remastering of the band's catalogue on CDs in the 1980s, the Beatles have a primary "core catalogue" of 14 albums ...
The Beatles for Kids – Colours: Released: 29 January 2021 [66] Label: UMG Recordings; Digital release only — — — All About the Girl: Released: 5 February 2021 [67] Label: UMG Recordings; Digital release only — — — The Beatles (Love Me Do) Released: 12 February 2021 [68] Label: UMG Recordings; Digital release only — — — The ...
By the mid-1960s, the Beatles became interested in tape loops and found sounds. [36] [37] Early examples of the group sampling existing recordings include loops on "Revolution 9" [37] (the repetitive "number nine" is from a Royal Academy of Music examination tape, some chatter is from a conversation between George Martin and Apple office manager Alistair Taylor, and a chord from a recording of ...
[2] Critic Robert Christgau calls it one of the Beatles greatest covers. [8] Rolling Stone critic Anthony DeCurtis uses John Lennon's "crooning" on the song as an example of why Lennon was a great rock 'n' roll singer. [9] Author Ian MacDonald describes it as an "ideal vehicle for Lennon," who sings the lead vocal. [6]
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