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Kurt Hoffman's Band of Weeds performs "Revolution #9" on the 1992 album Live at the Knitting Factory: Downtown Does the Beatles (Knitting Factory Records). [56] The jam band Phish performed "Revolution 9" (along with almost all of the songs from The Beatles) at their Halloween 1994 concert that was released in 2002 as Live Phish Volume 13. [57]
A significant moment is the Tonicization of the dominant with the use of vii o 7 /V chord (G ♯ dim) as part of the progression to V 7 (A 7 chord on "You know my name") and I (D chord after "number") that closes the verse. [8] The song is also notable for the use of the 5th chord tone on the VII chord to produce extra dissonance. [9]
"Revolution" is a song by the English rock band the Beatles, written by John Lennon and credited to the Lennon–McCartney partnership. Three versions of the song were recorded and released in 1968, all during sessions for the Beatles' self-titled double album, also known as the "White Album": a slow, bluesy arrangement ("Revolution 1") included on the album; an abstract sound collage (titled ...
The Beatles' Second Album "She Loves You" "I'll Get You" UK & US single (US on Swan) 1 — 3 — — — — — 1 — 7 — 7 — 1 — 1 — — — 1 — BPI: Silver [13]; The Beatles' Second Album
"One After 909" (sometimes entitled "The One After 909" in early recordings) is a song by the English rock band the Beatles from their 1970 album Let It Be. It was written by John Lennon , with input from Paul McCartney , and credited to their joint partnership .
Between 1963 and 1966, the Beatles' songs were released on different albums in the United Kingdom and the United States. In the UK, 30 songs were released as non-album singles, while appearing on numerous albums in the US. Since the remastering of the band's catalogue on CDs in the 1980s, the Beatles have a primary "core catalogue" of 14 albums ...
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By the mid-1960s, the Beatles became interested in tape loops and found sounds. [36] [37] Early examples of the group sampling existing recordings include loops on "Revolution 9" [37] (the repetitive "number nine" is from a Royal Academy of Music examination tape, some chatter is from a conversation between George Martin and Apple office manager Alistair Taylor, and a chord from a recording of ...