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Starting in the mid-twentieth century, artists begin to combine traditional Chinese painting techniques with Western art styles, leading to the style of new contemporary Chinese art. One of the representative artists is Wei Dong who drew inspirations from eastern and western sources to express national pride and arrive at personal actualization.
Early forms of art in China were made from pottery and jade in the Neolithic period, to which was added bronze in the Shang dynasty. The Shang are most remembered for their blue casting, noted for its clarity of detail. Early Chinese music and poetry was influenced by the Classic of Poetry, Confucius and the Chinese poet and statesman Qu Yuan.
Under efforts of masters from this school, traditional Chinese art reached another climax and continued to the present in forms of Chinese painting (中國畫), or guohua (國畫) for short. The Shanghai School challenged and broke the literati tradition of Chinese art, while also paying technical homage to the ancient masters and improving on ...
Ming painting provided the basis for early Qing painting, from skills, style, subjects and theoretical basis. The concept of Northern and Southern Schools, developed by Dong Qichang in the late Ming period, influenced the more academic formal painters, such as Wang Yuanqi [ 2 ] well as providing an inspiration for daring originality for the ...
Wang Wei is the most important representative of early Chinese ink wash painting. He believed that in all forms of painting, ink wash painting is the most advanced. [11] [28] Zhang Zao was a Chinese painter, painting theorist and politician during the Tang dynasty, 8th century. [29]
Shan shui painting is a kind of painting which goes against the common definition of what a painting is. Shan shui painting refutes color, light and shadow and personal brush work. Shan shui painting is not an open window for the viewer's eye, it is an object for the viewer's mind. Shan shui painting is more like a vehicle of philosophy. [6]
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Along the River During the Qingming Festival (simplified Chinese: 清明上河图; traditional Chinese: 清明上河圖; pinyin: Qīngmíng Shànghé Tú) is a handscroll painting by the Song dynasty painter Zhang Zeduan (1085–1145) and copied or recreated many times in the following centuries.
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