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Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965) was a poet, essayist and playwright. [1] He was a leading figure in English-language Modernist poetry where he reinvigorated the art through his use of language, writing style, and verse structure.
Eliot refers to this organic tradition, this developing canon, as the "mind of Europe." The private mind is subsumed by this more massive one. This leads to Eliot's so-called "Impersonal Theory" of poetry. Since the poet engages in a "continual surrender of himself" to the vast order of tradition, artistic creation is a process of ...
The 1948 Nobel Prize in Literature was awarded to British-American poet Thomas Stearns Eliot (pen name, T. S. Eliot) (1888–1965) "for his outstanding, pioneer contribution to present-day poetry." [1] Eliot is the fourth British (born in the United States) recipient of the prize after John Galsworthy in 1932.
Thomas Stearns Eliot (1888–1965) United Kingdom (born in the United States) English "for his outstanding, pioneer contribution to present-day poetry" [49] poetry, essay, drama 1949: William Faulkner (1897–1962) United States: English "for his powerful and artistically unique contribution to the modern American novel" [50] novel, short story ...
T. S. Eliot in 1920, in a photo taken by Lady Ottoline Morrell. In 1925, Eliot became a poetry editor at the London publishing firm of Faber and Gwyer, Ltd., [4]: pp.50–51 after a career in banking, and subsequent to the success of his earlier poems, including "The Love Song of J. Alfred Prufrock" (1915), "Gerontion" (1920) and "The Waste Land" (1922). [5]
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Thomas Stearns Eliot, better known as T. S. Eliot, was awarded the 1948 Nobel Prize in Literature. Throughout the 20th century, Martha May Eliot , Abigail Adams Eliot , and Clara Eliot achieved prominence in the fields of public health, early childhood education, and economics, respectively.
The Egoist (subtitled An Individualist Review) was a London literary magazine published from 1914 to 1919, during which time it published important early modernist poetry and fiction. In its manifesto, it claimed to "recognise no taboos", [ 1 ] and published a number of controversial works, such as parts of Ulysses . [ 2 ]
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