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Caribou in soapstone by Osuitok Ipeelee, Dennos Museum Center. Inuit sculptures had been produced prior to contact with the Western world. They were small-scale and made of ivory. In 1951, James Houston encouraged Inuit in Kinngait to produce stone carvings. [24] It was mostly men who took up carving.
Kavik was born in Sanikluaq. [2] In 1968, the Lofthouse Galleries in Ottawa staged a solo exhibition of Kavik's work. [3] [4]Kavik's work is held in several museums worldwide, including the British Museum, [5] the National Gallery of Canada, [6] the University of Michigan Museum of Art, [7] the Winnipeg Art Gallery, [8] and the National Museum of the American Indian. [9]
Avaalaaqiaq Tiktaalaaq began her art career between 1969 and 1970 with small soapstone carvings, often of animals with human heads. [5]Her works are part of the collections at the National Gallery of Canada, the Winnipeg Art Gallery, the Baltimore Museum of Art, and the Macdonald Stewart Art Centre and the College of William and Mary in Virginia.
She created many carvings from soapstone and thousands of drawings, etchings, stone cut prints and prints — all sought after by museums and collectors. [17] She designed several drawings for Canadian stamps and coins, and in 2004 she created the first Inuit-designed stained-glass window for the John Bell Chapel in Oakville, Ontario. In 2017 ...
However, her soapstone sculptures are what she is best known for. Her artwork is done traditionally, using techniques like the axe and file and polishing by hand, with materials used for generations by the Inuit. Her artwork often depicts people and animals which are believed to have a strong balanced relationship in the Inuit culture.
Osuitok Ipeelee RCA (Inuktitut: ᐅᓱᐃᑐ ᐃᐱᓕ, [1] 23 September 1923 - 2005 [2]) was an Inuk sculptor who lived in Cape Dorset, Nunavut.His sculptures in green soapstone of caribou and birds are particularly valued for their balance and delicacy.
The qulliq, a type of oil lamp, is carved out of soapstone and used by the Inuit and Dorset peoples. [13] The soapstone oil lamps indicate these people had easy access to oils derived from marine mammals. [14] In the modern period, soapstone is commonly used for carvings in Inuit art. [15]
During this time she also began creating carvings of her own, but kept them hidden because only men were carving at the time. As such, she is considered one of the first Inuit women carvers. After her father's death she began to carve more openly. Qaunaq started with making soapstone heads for dolls, later creating qulliit and then geese. She ...
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