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The Tragedy of Julius Caesar (First Folio title: The Tragedie of Ivlivs Cæsar), often shortened to Julius Caesar, is a history play and tragedy by William Shakespeare first performed in 1599. In the play, Brutus joins a conspiracy led by Cassius to assassinate Julius Caesar , to prevent him from becoming a tyrant.
A detailed analysis of the style of the Bellum Alexandrinum published in 2013 argues that "whereas the first part of the narrative of events in Alexandria (chh. 1-21) is particularly Caesarian, the conclusion of that panel (22-33), and the narratives of events in Illyricum (42-47), Spain (48-64), and Pontus (34-41, 65-78) are distinctly less so ...
A recent computer-assisted stylistic analysis by Zhang and others (2018) of the five works in the Caesarian corpus confirms that books 1–7 of the Gallic War and 1–3 of the Civil War were written by the same author (presumably Caesar himself), but book 8 of the Gallic War, and the Alexandrian, African, and Spanish War commentaries appear to ...
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
Following his consulship in 59 BCE, Caesar served an unprecedented ten-year term as governor of Gallia Cisalpina, Gallia Narbonensis, and Illyricum.During this time he conducted a series of devastating military campaigns against the various groups of people inhabiting Gaul (primarily present-day France and Belgium) culminating in the Battle of Alesia and the annexation of all of Gaul.
Commenting on the scene in Julius Caesar where Caesar confides to Marc Antony his apprehensions about Cassius, Hazlitt writes: "We know hardly any passage more expressive of the genius of Shakespeare than this. It is as if he had been actually present, had known the different characters and what they thought of one another, and had taken down ...
In De Bello Gallico 6.21–28, Julius Caesar provides his audience with a picture of Germanic lifestyle and culture. He depicts the Germans as primitive hunter gatherers with diets mostly consisting of meat and dairy products who only celebrate earthly gods such as the sun, fire, and the moon (6.21–22).
Bloom contributes three of the four interpretive chapters of the work. In the first, "On Christian and Jew: The Merchant of Venice", Bloom first outlines how an early 17th-century audience would have thought of Venice as a successful republic that, in its success, substitutes Biblical religion for a commercial spirit as the subject of men's passions; in this way, it was a precursor to modern ...