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Work Song: Live at Sweet Basil is a live album by Nat Adderley's Quintet recorded at the Sweet Basil Jazz Club in 1990 and original released on the Sweet Basil label. [ 1 ] Reception
"Autumn in New York" is a jazz standard and popular song composed by Vernon Duke in Westport, Connecticut in the summer of 1934. It was written without a commission or for a specific show, but Duke offered it to producer Murray Anderson for his Broadway musical Thumbs Up!
Autumn Leaves" offers a popular way for beginning jazz musicians to become acquainted with jazz harmony as the chord progression consists almost solely of ii–V–I and ii–V sequences which are typical of jazz. Although it is mostly played in G minor, the original key of the composition was A minor. [2]
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Autumn Leaves (subtitled Live at Sweet Basil) is a live album by Nat Adderley's Quintet recorded at the Sweet Basil Jazz Club in 1989 and original released on the Sweet Basil label before being rereleased in the US on the Evidence label.
The following is a list of jazz-influenced classical compositions. Classical music has often incorporated elements or material from popular music of the composer's time. Jazz has influenced classical music, particularly early and mid-20th-century composers, including Maurice Ravel. "While Western classical music emphasizes structure, written ...
Tis Autumn is a 1941 jazz standard written by Henry Nemo. [1] It was first recorded by Nat King Cole. Other recordings It was ...
"Early Autumn" is a song composed by Ralph Burns and Woody Herman with lyrics by Johnny Mercer. The song grew out of the fourth segment of Burns's "Summer Sequence" concert piece. [ 1 ] The original recording was made by Herman's second herd on December 27, 1947, which had a notable eight-bar solo by saxophonist Stan Getz . [ 2 ]