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It avoids the improvisational "risk-taking" of jazz fusion, emphasizing melodic form, and much of the music was initially "a combination of jazz with easy-listening pop music and lightweight R&B." [1] [2] During the mid-1970s in the United States, it was known as "smooth radio"; the genre was not termed "smooth jazz" until the 1980s. [3]
Bob Baldwin; David Benoit; Alex Bugnon; Brian Culbertson; Eumir Deodato; Terry Disley; George Duke; Ronnie Foster; Jonathan Fritzén; Chris Geith; Tom Grant; Dave Grusin
The smooth jazz format also added R&B; according to Cary Goldberg of JVC, Paul Hardcastle "brought a sophisticated, urban groove" to the format. She said, "Instead of bringing jazz to R&B, he's brought an R&B groove to contemporary jazz." [7] The smooth jazz music mix included 70 percent instrumentals and 30 percent vocals.
Modal jazz, as pioneered by Miles Davis, among others, is characterized by the use of modes, such as dorian modes, as the primary organizing element. Neo-bop jazz: Neo-bop jazz, notably associated with Wynton Marsalis, is a comparatively accessible, "retro" genre that emerged in the 1980s as a stylistic reaction against free jazz and jazz fusion.
Smooth R&B is mellow R&B. Smooth jazz - a mellower type of jazz, similar to R&B. Slow jam - a ballad commonly marketed as R&B; sometimes has overlap with smooth jazz. Urban adult contemporary - a radio format consisting mostly of R&B music. Some radio stations use "Smooth R&B" as their branding or tagline.
Smooth jazz, jazz fusion, jazz-pop The Rippingtons. Bill Frisell: Guitar 1951 Jazz, jazz fusion, alternative country, experimental rock, world music G: Frank Gambale: Guitar 1958 Jazz fusion, smooth jazz, jazz, instrumental rock Jean-Luc Ponty, Chick Corea Elektric Band, Vital Information, Return to Forever. Kenny Garrett: Saxophone 1960 Jazz ...
After years of working with producer Joel Dorn, Flack took control in the studio (under the name Rubina Flake) for her sixth LP, whose title track helped usher in the smooth and jazzy R&B style ...
The group's biggest R&B hit single was a cover version of Heatwave's "Always and Forever" (1990). [2] After this, the group disbanded, as Jazzy Jazz went on to form another group called G.H.P. (Group Home Productions) with Free Daydreamer of the group Entouch and Will Skillz of the group Pure Blend. Terk went on to become involved in local and ...
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