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The recorder family, one of the many consorts of instruments available to Renaissance composers. One key distinction between Renaissance and Baroque instrumental music is in instrumentation; that is, the ways in which instruments are used or not used in a particular work. Closely tied to this concept is the idea of idiomatic writing, for if ...
One of the most pronounced features of early Renaissance European art music was the increasing reliance on the interval of the third and its inversion, the sixth (in the Middle Ages, thirds and sixths had been considered dissonances, and only perfect intervals were treated as consonances: the perfect fourth the perfect fifth, the octave, and the unison).
Probably a Renaissance instrument, the sound mechanism is a bundle of reeds beneath the wooden cap. The musician blew through the cap. The reed bundle: Modern recreations of crumhorns: Flageolet: Flute: 1280 A.D., Spain. Transverse flute in the Cantigas de Santa Maria, Musician's Codex. Gemshorn: A recorder made from horn. [26]
The clavichord is an example of a period instrument. In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written. Often performances by such musicians are said to be "on authentic instruments".
Musical instruments used in early music, i.e. Medieval, Renaissance, and Baroque European classical music, especially those instruments no longer widely used today. Contents Top
Many Renaissance instruments are unfamiliar to modern listeners. Most instruments came in 'families', with sizes of the same instrument associated with the ranges of the human voice: descant (soprano), treble (alto), tenor, bass. (In some cases, these were extended up (sopranino, garklein) and in others, down (quart bass, contrabass, etc.)
Gérard Joseph Deleplanque (1723-1784) was a luthier from Lille who made a wide variety of instruments, including citterns. The instrument maker Johann Wilhelm Bindernagel (around 1770-1845), who worked in Gotha, made a mixed guitar-cittern under the name "Sister" or "German Guitar", which was equipped with seven gut strings.
An ornate guitar made by a Joakim Thielke (1641–1719) of Germany was altered in this way and became a success. From the mid-18th century through the early 19th century, the guitar evolved into a six-string instrument, phasing out courses by preference to single strings. These six-string guitars were still smaller than the modern classical guitar.
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