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In December 1965, the Beatles' Rubber Soul album was released to wide critical acclaim. [2] According to author David Howard, the limits of pop music "had been raised into the stratosphere" by the release, resulting in a shift in focus away from singles to creating albums of consistently high quality. [3]
"She Said She Said" is a song by the English rock band the Beatles from their 1966 album Revolver. Credited to Lennon–McCartney, it was written by John Lennon [4] [5] with assistance from George Harrison. [6]
"For No One" is a song by the English rock band the Beatles from their 1966 album Revolver. It was written by Paul McCartney, and credited to Lennon–McCartney.An early example of baroque pop [1] [2] [3] drawing on both baroque music and nineteenth-century art song, [4] it describes the end of a romantic relationship.
Revolver: Special Edition is an expanded reissue of the 1966 album Revolver by the English rock band the Beatles.It was released on 28 October 2022, [1] and includes a new stereo remix of the album by Giles Martin, with the help of de-mixing technology developed by Peter Jackson's WingNut Films, as well as the original mono mix, session recordings, demos, and an EP including new mixes of the ...
Writing in Barry Miles's The Beatles Diary, Peter Doggett describes the track as "Simple, effective and stunning" and "the ideal complement to the darker Revolver songs". [54] Less impressed, Bill Wyman of Vulture ranks "Good Day Sunshine" last in his list of the 213 Beatles songs. He views the title as "inane" and the piano playing as a ...
A new Special Edition of their psychedelic 1966 classic is packed with revelations. Here's a first look at what's inside
The Beatles recorded "Here, There and Everywhere" towards the end of the sessions for their 1966 album Revolver. [16] The band worked on the song at Abbey Road Studios over three session dates – on 14, 16 and 17 June. [17] Before carrying out overdubs, they taped 13 takes before achieving a satisfactory basic track. [18]
Harrison (top) in August 1966 with his Beatles bandmates and American disc jockey Jim Stagg. Among commentators recalling the song's release, Peter Doggett describes "Love You To" as having "sounded astonishing next to the electrifying pop of the Revolver album". [106] Hertsgaard writes: "what caught most people's interest was the exotic rhythm ...