Search results
Results from the WOW.Com Content Network
The rosy-faced lovebird (Agapornis roseicollis), also known as the rosy-collared or peach-faced lovebird, is a species of lovebird native to arid regions in southwestern Africa such as the Namib Desert. Loud and constant chirpers, these birds are very social animals and often congregate in small groups in the wild.
Lovebird is the common name for the genus Agapornis, a small group of parrots in the Old World parrot family Psittaculidae.Of the nine species in the genus, all are native to the African continent, with the grey-headed lovebird being native to the African island of Madagascar.
Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen.
The science of rosy-faced lovebird colour genetics deals with the heredity of colour variation in the feathers of the species known as Agapornis roseicollis, commonly known as the rosy-faced lovebird or peach-faced lovebird. Rosy-faced lovebirds have the deepest range of mutations available of all the Agapornis species.
The brother is petrified when he tries to catch the bird, and his sister saves him and other petrified people. At the end of the tale, the once petrified people are invited to the twins' house, where they show their baby blankets with the count's family crest emblazoned on them and the white parrot helps them discover the truth of their parentage.
They resemble the lovebirds of Africa in size, body shape and behaviour and have sometimes been referred to as "South American lovebirds", but are not closely related. [2] In the wild, parrotlets travel in flocks ranging in size from about four to over a hundred birds. Most species travel in flocks of about five to forty.
Fischer's lovebird (Agapornis fischeri) is a small parrot species of the genus Agapornis. They were originally discovered in the late 19th century. They were originally discovered in the late 19th century.
Within Spain's folktales and folklore, there is a consistency in the stories told through tradition. In the thirteenth century, a text known as the Apolonio existed. It has unfortunately been lost to time, and little is known about it, but thankfully there also exists a Castilian version from the late fourteenth century of the Spanish narrative.