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Peruvian music is an amalgamation of sounds and styles drawing on Peru's Andean, Spanish, and African roots. Andean influences can perhaps be best heard in wind instruments and the shape of the melodies, while the African influences can be heard in the rhythm and percussion instruments, and European influences can be heard in the harmonies and stringed instruments.
Música criolla, Peruvian Creole music or canción criolla is a varied genre of Peruvian music that exhibits influences from European, African and Andean music. The genre's name reflects the coastal culture of Peru, and the local evolution of the term criollo, a word originally denoting high-status people of full Spanish ancestry, into a more socially inclusive element of the nation.
Adiós pueblo de Ayacucho is a popular traditional Peruvian huayno from Ayacucho. Like many traditional songs, there is a wide variation in the lyrics. The song has been widely recorded.
Harawi is an ancient traditional genre of Andean music and also indigenous lyric poetry. Harawi was widespread in the Inca Empire and now is especially common in countries that were part of it, mainly: Peru, Ecuador, Bolivia. Typically, harawi is a moody, soulful slow and melodic song or tune played on the quena (flute).
The history of Huayno dates back to colonial Peru as a combination of traditional rural folk music and popular urban dance music. High-pitched vocals are accompanied by a variety of instruments, including quena (flute), harp , siku (panpipe), accordion , saxophone , charango , lute , violin , guitar , and mandolin .
El cóndor pasa is a Peruvian zarzuela (musical play) whose music was composed by Peruvian songwriter Daniel Alomía Robles in 1913 [1] with a script written by Julio de La Paz (pseudonym of the Peruvian dramatist Julio Baudouin). This zarzuela is written in prose and consists of one musical play and two acts.
Peruvian cumbia is a subgenre of chicha (Andean tropical music) that became popular in the coastal cities of Peru, mainly in Lima in the 1960s through the fusion of local versions of the original Colombian genre, traditional highland huayno, and rock music, particularly surf rock and psychedelic rock. The term chicha is more frequently used for ...
The song was originally a musical piece in the Peruvian zarzuela (musical play), El cóndor pasa. The zarzuela is written in prose and consists of one musical play and two acts. Its music was composed by Daniel Alomía Robles in 1913 and its script was written by Julio de La Paz (pseudonym of the Limenian dramatist Julio Baudouin).
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