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The Andamooka Opal is a famous opal which was presented to Queen Elizabeth II in 1954 on the occasion of her first visit to South Australia. The opal was mined in Andamooka in 1949. The opal was cut and polished by John Altmann to a weight of 203 carats (40.6 g).
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Artisan assembling silver necklace in Oaxaca Silver necklace with ruby, emerald and Mexican opal with two jaguars in confrontation from Guadalajara on display at the Museum of Arte Popular in Mexico City. Jewelry making began well before the arrival of the Spanish, with mines providing supplies of metals and stones.
A choker is a close-fitting necklace worn around the neck, typically 14 inch to 16 inch in length. Chokers can be made of a variety of materials, including velvet, plastic, beads, latex, leather, metal, such as silver, gold, or platinum, etc. They can be adorned in a variety of ways, including with sequins, studs, or a pendant.
Other types of bezel settings, less used in modern jewelry, are swivel bezels where the bezel, perhaps just formed of a stone with a metal rod through it, can rotate, and box bezels, where a "box" or cage forms the bezel, often sitting on the main ring hoop, and perhaps open at the top where there is a stone. [7]
A pendant is a loose-hanging piece of jewellery, generally attached by a small loop to a necklace, which may be known as a "pendant necklace". [1] A pendant earring is an earring with a piece hanging down. Its name stems from the Latin word pendere and Old French word pendr, both of which translate to "to hang down". In modern French, pendant ...
Magatama were commonly used to create necklaces and bracelets worn on the wrists or ankles. The necklace was typically constructed of jadeite magatama separated by cylindrical bored-holed pieces of jasper. Small beads of dark-blue glass are also not uncommon on the necklace.
The word repoussé is French and means "pushed up", ultimately from Latin pulsare, which means "to push".Repoussage is the noun to refer to the technique, with repoussé being an adjective referring to a piece to which the technique has been applied (e.g. "repoussé work", "repoussé piece").
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