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The Haeco-CSG process was designed to make stereophonic vinyl LP records compatible with mono playback equipment. These recordings were intended to make the two-channel stereo mix automatically "fold-down" properly to a single mono channel.
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied ...
Balanced audio is a method of interconnecting audio equipment using balanced interfaces. This type of connection is very important in sound recording and production because it allows the use of long cables while reducing susceptibility to external noise caused by electromagnetic interference.
Panning law, or panning rule, is a recording and mixing principle that states that any signal of equal amplitude and phase that is played in both channels of a stereo system will increase in loudness up to 6.02 dBSPL, provided there is perfect response in the loudspeaker system and perfect acoustics in the room.
Duophonic sound was a trade name for a type of audio signal processing used by Capitol Records on certain releases and re-releases of mono recordings issued during the 1960s and 1970s. In this process monaural recordings were reprocessed into a type of artificial stereo. Generically, the sound is commonly known as fake stereo or mock stereo ...
A bridge-tied load (BTL), also known as bridged transformerless and bridged mono, is an output configuration for audio amplifiers, a form of impedance bridging used mainly in professional audio & car applications. [1] The two channels of a stereo amplifier are fed the same monaural audio signal, with one channel's electrical polarity reversed.
9. RB Terrell Davis. In what was arguably the greatest Super Bowl effort by a tailback, he ran for 157 yards and a record-tying three TDs – while combating a migraine – on his way to Super ...
Out of Phase Stereo (OOPS) is an audio technique which manipulates the phase of a stereo audio track, to isolate or remove certain components of the stereo mix. It works on the principle of phase cancellation , in which two identical but inverted waveforms summed together will "cancel the other out".
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