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Brahms' antiquarian interests, his studies of music from the Renaissance to the Classical periods, show in his work — he edited and helped publish a two-chorus motet by Mozart Venite Populi, he had a collection of sonatas by Scarlatti — and in his composition, his motets Op. 74, his interest in the fugue and the passacaglia (outside of organ music such as Josef Rheinberger's Sonata No. 8 ...
Op. 15 Piano Concerto No. 1 in D minor : piano, orchestra 1854–58 original version as Sonata for Two Pianos 1854 (Mvts 2 & 3 are Anh. 2a/2) (discarded), 2nd version as Symphony in D minor in 4 mvts (4th mvt never written) 1854–55 (Mvts 2 & 3 are Anh. 2a/2) (discarded), final version (Piano Concerto) in 3 mvts (only 1st mvt from previous versions, 2nd & 3rd mvts new) 1855–58;
Cello Sonata No. 1; Cello Sonata No. 2 (15 min) (2000) Ivo Malec. Sonata brevis (1956) Robert Mann. Duo for cello and piano; Bruno Mantovani. Cinq pièces pour Paul Klee (2007) Elizabeth Maconchy. Divertimento; Contemplation (1978) Leevi Madetoja. Suite Lyrique; Michio Mamiya. Cello Sonata; 5 Finnish Folk Songs (1977) 6 Japanese Folk Songs ...
Op. 120, No. 1, also entitled Opus 120, No. 1 or in its German form, Opus 120, Nr. 1, is a 1986 arrangement for clarinet and orchestra of Johannes Brahms's Clarinet Sonata Op. 120, No. 1 by Italian composer Luciano Berio. As with the original Sonata, the soloist in this arrangement can either be a clarinet or a viola.
A cello sonata is piece written sonata form, often with the instrumentation of a cello taking solo role with piano accompaniment. [1] Some of the earliest cello sonatas were composed in the 18th century by Francesco Geminiani and Antonio Vivaldi, and since then other famous cello sonatas have grown to those by Johannes Brahms, Ludwig van Beethoven, Felix Mendelssohn, Fryderyk Chopin, and ...
This first movement, a sonata form movement in G minor and common time, begins immediately with the first theme, a declamatory statement in straight quarter-notes, stated in octaves for the piano alone. This theme is the opening cell that governs the content of the rest of the musical material in the movement.
The first serenade was completed in 1858. At that time, Brahms was also working on his Piano Concerto No. 1.Originally scored for wind and string nonet and then expanded into a longer work for chamber orchestra, the serenade was later adapted for orchestra; [3] [4] Brahms completed the final version for large orchestra in December 1859. [5]
The trio is scored for piano, violin and cello, and it is the only work of Brahms to exist today in two published versions, although it is almost always the revised version that is performed today. The work is homotonal , with two movements in the key of B major and two in B minor. [ 5 ]