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Head over Heels is the third studio album released by American singer Paula Abdul on June 13, 1995, under Virgin Records and Captive Records. The album features three singles "My Love Is for Real", "Crazy Cool" and "Ain't Never Gonna Give You Up". To date, it is Abdul's last studio album release.
"Crazy Cool" is a song recorded by American singer Paula Abdul for her third studio album, Head over Heels (1995). It was written by Peter Lord, V. Jeffrey Smith and Sandra St. Victor, while produced by the former two, and was released as the album's second single on August 22, 1995, by Virgin Records.
Despite the album's achievements, it failed to match the success of its predecessor. Following a musical hiatus while dealing with personal issues, Abdul returned with the release of Head over Heels (1995), her third and final studio effort. The album and coinciding singles were deemed commercial failures, and were met with a mixed reaction ...
It does, however, include "Crazy Love" which was previously only available on the Japanese version of Head over Heels, "Bend Time Back 'Round" which was included on the Beverly Hills, 90210 soundtrack, and the previously unreleased "Megamix Medley". By January 2006, the album had sold 138,000 copies in the United States.
Head over Heels, a 2007 film nominated for Best Short Animation at the 61st British Academy Film Awards Head over Heels (2012 film) , an American animated short by Timothy Reckart Head over Heels (British TV series) , a 1993 comedy-drama series
Tony Terry is the self-titled second album released in 1990, by Washington, D.C.–based R&B singer Tony Terry.The album's first single, "Head over Heels", charted on the R&B singles and peaked at No. 13.
"Head Over Heels" is a song recorded by Canadian country rock group Blue Rodeo. It was released in 1995 as the sixth single from their fifth studio album, Five Days in July. It peaked at number 4 on the RPM Country Tracks chart and number 16 on the RPM Adult Contemporary Tracks chart in May 1995.
Head Over Heels is a jukebox musical that adapts the plot of The Countess of Pembroke's Arcadia, the 16th-century prose romance by Sir Philip Sidney. It resembles the Old Arcadia more closely than the New Arcadia. Unlike Whitty's original, which hewed to Sidney's story structure regarding a King outrunning four prophesies, the plotline of the ...
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