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Tiepolo's Triumph of Flora (c. 1743), a scene based on the Fasti, Book 4 [1]. The Fasti (Latin: Fāstī [ˈfaːstiː], [2] "the Calendar"), sometimes translated as The Book of Days or On the Roman Calendar, is a six-book Latin poem written by the Roman poet Ovid and published in AD 8.
Book 3 has 14 poems focusing on Ovid's life in Tomis. The opening poem describes his book's arrival in Rome to find Ovid's works banned. Poems 10, 12, and 13 focus on the seasons spent in Tomis, 9 on the origins of the place, and 2, 3, and 11 his emotional distress and longing for home. The final poem is again an apology for his work.
Front matter of Boswell's copy of the 1732 edition of the Heroides, edited by Peter Burmann. Note the title Heroides sive Epistolae, The Heroides or the Letters.. The Heroides (The Heroines), [1] or Epistulae Heroidum (Letters of Heroines), is a collection of fifteen epistolary poems composed by Ovid in Latin elegiac couplets and presented as though written by a selection of aggrieved heroines ...
The Latin elegy reached its highest development in the works of Tibullus, Propertius, and Ovid. Most of this poetry is concerned with love. Ovid wrote the Fasti, which describes Roman festivals and their legendary origins. Ovid's greatest work, the Metamorphoses weaves various myths into a fast-paced, fascinating story. Ovid was a witty writer ...
Celebrate Earth Day 2024 with these inspiring sayings about honoring nature and the environment. Share famous quotes from world leaders, activists and writers.
Ovid Banished from Rome (1838) by J. M. W. Turner. The Tristia ("Sad things" or "Sorrows") is a collection of poems written in elegiac couplets by the Augustan poet Ovid during the first three years following his banishment from Rome to Tomis on the Black Sea in AD 8.
Jean de la Fontaine's poem follows Ovid closely. John Dryden translated Ovid's poem in 1693. Jonathan Swift wrote a poem on the subject of Baucis and Philemon in 1709. Joseph Haydn wrote a marionette opera Philemon und Baucis, oder Jupiters Reise auf die Erde in 1773. Baucis and Philemon are characters in the fifth act of Goethe's Faust II (1832).
Ovid raises its significance explicitly in the opening lines of the poem: In nova fert animus mutatas dicere formas / corpora; ("I intend to speak of forms changed into new entities;"). [24] Accompanying this theme is often violence, inflicted upon a victim whose transformation becomes part of the natural landscape. [ 25 ]