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Beethoven struggled to produce an appropriate overture for Fidelio, and ultimately went through four versions. His first attempt, for the 1805 premiere, is believed to have been the overture now known as "Leonore No. 2" in C major. Beethoven then focused this version for the performances of 1806, creating "Leonore No. 3", also in C major.
Leonore No. 3 is well known for portraying some of the major events of the plot in a condensed, purely orchestral form, most notably the distant trumpet fanfares of the finale. Next to the actual, finalized Fidelio overture, this is the most commonly performed version, and still sometimes replaces the Fidelio overture in some productions.
Lorin Maazel with the Israel Philharmonic in selected overtures by Beethoven: Leonore No. 1, Op. 138 Leonore No. 2, Op. 72A Leonore No. 3, Op. 72A Fidelio Overture, Op. 72B Recorded in 1962 Listen on Archive.org
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In Beethoven's Leonore Overture and in the ouverture to Fidelio he used an offstage trumpet call. [1] In Respighi 's The Pines of Rome , he uses an offstage trumpet for "Pines Near a Catacomb"; after the low strings play solemn chords, and the trombones play a simple, ancient-sounding Gregorian chant -style melody, an offstage trumpet ...
Beethoven: Symphonies 1-9 / Egmont Overture / Coriolanus Overture, Op. 62 / King Stephen Overture / Leonore Overtures 1-3 / Fidelio Overture / The Creatures of Prometheus, complete ballet, Op. 43* Mozart: Symphony No. 41 in C major, K. 551 "Jupiter" George Szell, Louis Lane* Sony Classical: Beethoven: The Five Piano Concertos (3-CD set)
Beethoven Leonore Overture No. 3 Op. 72b Det Kongelige Kapel 1954 Copenhagen Live Brahms Symphony No. 4 in E minor Op.98 Det Kongelige Kapel 1954 Copenhagen Live Mozart Symphony No. 29 in A K. 201 Det Kongelige Kapel 1954 Copenhagen Live Beethoven Symphony No. 3 in E flat Op. 55 "Eroica" Kölner Rundfunk- Sinfonie-Orchester 1954 Cologne Live
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