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Vivaldi La tempesta di mare ("The Storm at Sea"), a flute concerto in F major ( RV 433; P. 261), is the first of Six Flute Concertos, Op. 10 by Antonio Vivaldi , published in the late 1720s. La tempesta di mare may also refer to two earlier versions of the same concerto, RV 98, a concerto da camera (chamber concerto) featuring the flute, from ...
Antonio Vivaldi wrote a set of flute concertos, Op. 10, [a] that were published c. 1728 by Amsterdam publisher Michel-Charles Le Cène. [1] Flute Concerto No. 1 "La Tempesta di Mare" in F major, RV 433 Allegro; Largo; Presto; Flute Concerto No. 2 "La Notte" in G minor, RV 439 (see also RV 104, composed in the 1710s with chamber accompaniment) Largo
pasticcio, possibly with some music by Vivaldi 10 701: Artabano, re dei Parti: Antonio Marchi: Carnival 1718: Venice, Teatro San Moisè: reworking of La costanza trionfante (RV 706) 11 699: Armida al campo d'Egitto: Giovanni Palazzi: Carnival 1718: Venice, Teatro San Moisè. Further performances in Venice on 26 December 1730 and 12 February ...
Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène’s edition of Vivaldi’s Op. 8, 1725) Title page, 1725. Il cimento dell’armonia e dell’inventione (The Contest Between Harmony and Invention) is a set of twelve concertos written by Antonio Vivaldi and published in 1725 as Op. 8.
Vivaldi. Antonio Vivaldi wrote a set of concerti, Op. 11, in 1729. Concerto No. 1 for violin, strings and continuo in D Major, RV 207; Allegro Largo Allegro. Concerto No. 2 for violin, strings and figured bass in E minor, "Il favorito", RV 277; Allegro Andante Allegro. Concerto No. 3 for violin, strings and figured bass in A Major, RV 336 ...
Andromeda liberata is a pasticcio-serenata of 18 September 1726, on the subject of Perseus Freeing Andromeda, made as a collective tribute to the visiting Cardinal Pietro Ottoboni by at least five composers working in Venice including Vivaldi.
Vivaldi composed a few concertos specifically for L'estro armonico, while other concertos of the set had been composed at an earlier date. Vivaldi scholar Michael Talbot described the set as "perhaps the most influential collection of instrumental music to appear during the whole of the eighteenth century".
The Concerto alla rustica, unlike some other of Vivaldi's concertos, did not include a descriptive programme. [2] It was composed some time between mid-1720 and 1730, during which time Vivaldi was working on his Contest Between Harmony and Invention, Op. 8—the work from which his best-known set of compositions, The Four Seasons, derives.