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Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of Orientalism.The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the Rococo style and with works by François Boucher, Thomas Chippendale, and Jean-Baptist Pillement.
The Chinese Room has eight Rococo wallpaper panels on canvas with fantasy flowers and birds, vegetables and chinoiserie, made somewhere between the years 1765–1775. The artist, working in the cuir de Cordoue manufacture of Cornelis 't Kindt in Brussels, perhaps used engravings by Jean-Baptiste Pillement, then famous for his Chinoiserie. [12]
Coromandel lacquer, probably originally from a screen, worked up into a cabinet for medals in France in the 1720s. Coromandel lacquer is a type of Chinese lacquerware, latterly mainly made for export, so called only in the West because it was shipped to European markets via the Coromandel coast of south-east India, where the Dutch East Indies Company (VOC) and its rivals from a number of ...
The wallpaper depicts a Chinese garden with birds with distinctive plumages and butterflies as well as fruit trees and shrubs. The decorative scheme of the wallpaper is divided between two borders; the upper has tall green jars and hanging baskets with magnolias and peonies, the lower border features wading birds and tall lotus plants.
The Trianon de Porcelaine (French pronunciation: [tʁijanɔ̃ də pɔʁsəlɛn]; French for Porcelain Trianon) was a short-lived structure constructed near the Palace of Versailles, and is considered to be the first Chinoiserie building in Europe.
Leather wallpaper is a type of wallpaper used in various styles for wall covering. It is often referred to as wrought leather. [1] It is often gilded, painted and decorated. Leather was used to cover and decorate sections of walls in the houses of the rich, and some public buildings.
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