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The Parthenon frieze is the high-relief Pentelic marble sculpture created to adorn the upper part of the Parthenon's naos. It was sculpted between c. 443 and 437 BC, [ 1 ] most likely under the direction of Phidias .
In the foreground, an animal leaps between the figure on the left that is attacking and the one on the right that is leaking. The hind legs of the animal are feline legs. Fixing holes could also mean the presence of a bronze snake. Moreover, on the Parthenon frieze, on the east side, Dionysus is immediately to the right of Hermes.
The Parthenon had 46 outer columns and 23 inner columns in total, each column having 20 flutes. (A flute is the concave shaft carved into the column form.) The roof was covered with large overlapping marble tiles known as imbrices and tegulae. [66] [67] The Parthenon is regarded as the finest example of Greek architecture.
The upper portion of its outer wall could be decorated with a frieze, as on the Hephaisteion and the Parthenon. Opisthodomoi are present in the layout of: Temples ER, A and O at Selinus; Temple of Aphaea at Aegina; Temple of Zeus at Olympia; Hephaisteion in the Agora of Athens; Parthenon on the Acropolis in Athens; Temple of Concordia, Agrigento
Mikon, a Greek man (potentially a shepherd) from the 6 th century BC, may have left us the ultimate clue to an unknown temple that once filled the space now occupied by the great Parthenon.And ...
Connelly's scholarship focuses on Greek art, myth, and religion, and includes a groundbreaking reinterpretation of the Parthenon and its sculptures. [3] [4] [5] In The Parthenon Enigma: A New Understanding of the West's Most Iconic Building and the People who Made It, Connelly presents her reading of the Parthenon's sculptural program within its full historic, mythological, and religious contexts.
Metope from the Parthenon marbles depicting part of the battle between the Centaurs and the Lapiths; 442–438 BC; marble; height: 1.06 m; British Museum (London) A metope ( / ˈ m ɛ t ə p i / ; Ancient Greek : μετόπη ) is a rectangular architectural element of the Doric order , filling the space between triglyphs in a frieze [ 1 ] [ 2 ...
Fragment of the accounts relating to the realization of the statue of Athena Parthenos, IG I 3 458, Museum of the Acropolis of Athens.. According to Pausanias and Plutarch [N 5], the statue is not by Phidias alone but of a team of craftsmen representing several trades, Phidias supervising all the decoration work of the Parthenon.