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When Satan was cast out of Heaven, he "excavated the underworld cosmos in which the damned are held". [3] Satan's punishment is the opposite of what he was trying to achieve: power and a voice over God. Satan also is, in many ways, "the antithesis of Virgil; for he conveys at its sharpest the ultimate and universal pain of Hell: isolation."
"Raphèl mai amècche zabì almi" is a verse from Dante's Inferno, XXXI.67. The verse is shouted out by Nimrod , one of the giants who guard the Ninth Circle of Hell. The line, whose literal meaning is uncertain (it is usually left untranslated as well), is usually interpreted as a sign of the confusion of the languages caused by the fall of ...
A man dressed as the Devil at New York City's West Indian Day Parade.. The Devil, (Satan, Lucifer, Mephistopheles, Iblis) appears frequently as a character in literature and various other media, beginning in the 6th century when the Council of Constantinople officially recognized Satan as part of their belief system. [1]
" Pape Satàn, pape Satàn aleppe" is the opening line of Canto VII of Dante Alighieri's Inferno. The line, consisting of three words, is famous for the uncertainty of its meaning, and there have been many attempts to interpret it. Modern commentators on the Inferno view it as some kind of demonic invocation to Satan. [1] [2]
The narrator echoes Inferno 2.32 in the poem (2.588–592). The Monk's Tale from The Canterbury Tales describes (in greater and more emphatic detail) the plight of Count Ugolino (Inferno, cantos 32 and 33), referring explicitly to Dante's original text in 7.2459–2462.
The richest, most circumstantial accounts of the Harrowing of Hell are found in medieval dramatic literature, such as the four great cycles of English Mystery plays which each devote a separate scene to depict it. [1] Christ was portrayed as conquering Satan, and then victoriously leading out Adam and Eve, the prophets, and the patriarchs.
The Malebranche (Italian: [ˌmaleˈbraŋke]; "Evil Claws") [1] are the demons in the Inferno of Dante's Divine Comedy who guard Bolgia Five of the Eighth Circle . They figure in Cantos XXI, XXII, and XXIII. Vulgar and quarrelsome, their duty is to force the corrupt politicians to stay under the surface of a boiling lake of pitch.
The Barque of Dante (French: La Barque de Dante), also Dante and Virgil in Hell (Dante et Virgile aux enfers), is the first major painting by the French artist Eugène Delacroix, and is a work signalling the shift in the character of narrative painting, from Neo-Classicism towards Romanticism. [1]