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A darkroom is used to process photographic film, make prints and carry out other associated tasks. It is a room that can be made completely dark to allow the processing of light -sensitive photographic materials, including film and photographic paper .
An excellent example is the photograph Schweitzer with lamp at his desk by W. Eugene Smith, [2] from his 1954 photo essay A Man of Mercy on Dr. Albert Schweitzer and his humanitarian work in French Equatorial Africa. The image took 5 days to produce, in order to reproduce the tonal range of the scene, which ranges from a bright lamp (relative ...
Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning , and masking , which though similar conceptually to digital manipulations, involve physical rather than virtual techniques.
Electronic Timer-Analyzer. A photo-lab timer, photo interval timer, or darkroom timer is a timer used in photography for timing the process of projecting negatives to photosensitive paper with an enlarger, making photographic prints of them at any scale.
If the difference is greater than a user-specified threshold setting, the images are (in effect) subtracted. Digital unsharp masking is a flexible and powerful way to increase sharpness, especially in scanned images. Unfortunately, it may create unwanted conspicuous edge effects or increase image noise.
Although taken by some to mean lack of manipulation, straight photographers in fact applied many common darkroom techniques to enhance the appearance of their prints. Rather than factual accuracy, the term came to imply a specific aesthetic typified by higher contrast and rich tonality, sharp focus, aversion to cropping , and a Modernism ...
The Sabatier effect, also known as pseudo-solarization (or pseudo-solarisation) and erroneously referred to as the Sabattier effect, is a phenomenon in photography in which the image recorded on a negative or on a photographic print is wholly or partially reversed in tone.
The Leica Monochrom cameras, for example, opted for a grayscale-only sensor to get better resolution and dynamic range. The reduction from three-dimensional color to grayscale or simulated sepia toning may also be performed by digital post-processing , often as an option in the camera itself.