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Pages for logged out editors learn more. ... Print/export Download as PDF ... Pages in category "Ballets based on fairy tales" The following 8 pages are in this ...
Various dances for a Purcell Opera Society production of The Fairy-Queen: (music by Henry Purcell) (1927) Pas de deux (music by Fritz Kreisler) (1927) Suite de danses (music by Wolfgang Amadeus Mozart) (1927) Argentine Dance (music by Artello) (1927) Nymphs and Shepherds (music by Wolfgang Amadeus Mozart) (1928)
The magazine, entitled Fairies, began with an initial print of 110,000 copies and a cover price of £1.99. The magazine's content is centered on Tinker Bell, and her fairy friends from the Pixie Hollow. Each issue features: a collectable pull-out story, games, puzzles, posters and coloring pages. [6]
Le Baiser de la fée (The Fairy's Kiss) is a neoclassical ballet in one act and four scenes composed by Igor Stravinsky in 1928 and revised in 1950 for George Balanchine and the New York City Ballet. Based on Hans Christian Andersen 's short story Isjomfruen (English: The Ice-Maiden ), the work is an homage to Pyotr Ilyich Tchaikovsky , for the ...
A Fairy Tale or A Magic Tale (French: Un Conte de fées), a ballet fantastique, was a ballet in one act choreographed by Marius Petipa to music by (?) Richter. [1]The ballet was first presented as an examination piece by students of the Imperial Ballet School on April 4/16 (Julian/Gregorian calendar dates), 1891, in the theatre of the Imperial Ballet School, St. Petersburg, Russia.
Coppélia (sometimes subtitled: La Fille aux Yeux d'Émail (The Girl with the Enamel Eyes) [1]) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter.
The ballet's focus was on the two main conflicting forces of good (the Lilac Fairy) and evil ; each has a leitmotif representing them, which run through the entire ballet, serving as an important thread to the underlying plot. Act III of the work, however, takes a complete break from the two motifs and instead places focus on the individual ...
A scene from the original production of Corneille's Andromède, a precursor of the féerie. The féerie can trace its origins to the ballet de cour ("court ballet") tradition of the Renaissance, [3] in which such court leaders as Catherine de' Medici and Henry IV of France would commission spectacularly designed ballets based on mythological subjects and fables. [14]
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