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Work details, antonin-dvorak.cz (in English) Performance of Quintet by The Chamber Music Society of Lincoln Center from the Isabella Stewart Gardner Museum in MP3 format Video on YouTube , live performance with Anna Balakerskaia, piano, Ricardo Cyncynates, violin 1, Zino Bogachek, violin 2, Natasha Bogachek, viola, Misha Quint , cello.
Silent Woods (Czech: Klid) is the translated title of the composition by Antonín Dvořák initially published under the German title Waldesruhe.It is the fifth part of the cycle for piano four-hands, Ze Šumavy (From the Bohemian Forest) Op. 68, B. 133, composed in 1883.
It is of over 45 minutes' duration, making it Dvorak's second-longest chamber work. [ 1 ] [ 2 ] [ 3 ] The parts and score were included in the Souborné vydání díla (complete critical edition), series 4, volume 5, dated 1962 [ 4 ] and published by Barenreiter in 2014.
Symphony No. 7, antonin-dvorak.cz; About the Composition, Symphony No 7 in D minor, from the Kennedy Center; Symphony No. 7: Scores at the International Music Score Library Project; The original (longer) 2nd movement of 1885 can be heard here; Conductor score and parts on espace-midi.com, free scores engraved with LilyPond
Antonin Dvorak complete catalogue of works, (The Dvorak Society occasional publications no. 4), 4th revised edition, 2004. The Dvorak Society for Czech and Slovak Music. ISBN 0-9532769-4-5. Šourek, Otakar; (Trans.)Samsour, Roberta Finlayson. The Chamber Music of Antonín Dvořák. Czechoslovakia: Artia.
The sheet music's high sales and critical reception led to his international success. A London performance of Dvořák's Stabat Mater in 1883 led to many other performances in the United Kingdom, the United States, and eventually Russia in March 1890. [3] The Seventh Symphony was written for London in 1885.
Humoresques (Czech: Humoresky), Op. 101 (B. 187), is a piano cycle by the Czech composer Antonín Dvořák, written during the summer of 1894.Music critic David Hurwitz says "the seventh Humoresque is probably the most famous small piano work ever written after Beethoven's Für Elise."
This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many traditional musics worldwide, and before coming to America Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples. [20]
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