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It indicates how to give color to geographic areas (common geopolitical delimitations: nations, regions, etc.). With the following steps: Choose the colors to paint the areas. Choose for one of two possibilities: Paint the areas of a blank map. Indicate that areas are still painted (only for maps of the world).
Typical tasks for such charts are checking the color reproduction of an imaging system, aiding in color management or visually determining the hue of color. Examples are the IT8 and ColorChecker charts. Color selection charts present a palette of available colors to aid the selection of spot colors, process colors, paints, pens, crayons, and so ...
These are the lists of colors; List of colors: A–F; List of colors: G–M; List of colors: N–Z; List of colors (alphabetical) List of colors by shade; List of color palettes; List of Crayola crayon colors; List of RAL colours; List of X11 color names
Its first major work was the British Colour Council 1934 "Dictionary of Colour Standards" [1] [2] which defined colour shades in its printed plates and gave a two or three number code and evocative names to each colour. BCC colour codes define colours as varying by hue, tone and intensity, and were originally designed for use in the textile dye ...
Among other uses, the American national flag and many state flags are officially specified based on the Standard Color Reference, [1] as are those of a handful of other countries, such as the Philippines. [2] The Standard Color Reference of America was issued in 1915 for the purpose of simplifying color work by standardizing color for the U.S.
Federal Standard 595 is the color description and communication system developed in 1956 by the United States government. Its origins reach back to World War II when a problem of providing exact color specifications to military equipment subcontractors in different parts of the world became a matter of urgency.
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Each colour is represented by seven digits, grouped in a triple and two pairs, representing hue (000–360 degrees, angle in the CIELab colour wheel), lightness (same as in L*a*b*) and chroma (relative saturation). The three numeric components of almost all RAL Design colours are multiples of 5, the majority are divisible by 10.
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