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In music, the terms additive and divisive are used to distinguish two types of both rhythm and meter: . A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units.
Rhythm Is It! is a 2004 German documentary film directed by Thomas Grube and Enrique Sánchez Lansch. The film documents a project undertaken by conductor Simon Rattle and choreographer Royston Maldoom to stage a performance of Stravinsky's Le Sacre du printemps (The Rite of Spring) with a cast of 250 children recruited from Berlin's public ...
Stravinsky's music is typically divided into three style periods: the Russian period (c. 1907–1919), the neoclassical period (c. 1920–1954), and the serial period (1954–1968). Stravinsky's Russian period is characterized by the use of Russian folk tunes and the influence of Rimsky-Korsakov, Tchaikovsky, Glazunov, and Taneyev.
Pulcinella is a 21-section ballet by Igor Stravinsky with arias for soprano, tenor and bass vocal soloists, and two sung trios. It is based on the 18th-century play Quatre Polichinelles semblables, or Four similar Pulcinellas, revolving around a stock character from commedia dell'arte.
This has been described as 'a kind of rhythm the effect of which is determined by an accumulation of irregular, unpredictable accents in the music'. [4] The composer David Matthews describes the effect thus: "[I]t is the rhythmic freedom of the music, its joyful liberation from orthodox notions of stress and phrase length, that contributes so ...
Concertino by Igor Stravinsky, one measure after rehearsal mark 14 (subdivided 4+3+2). [128] "The Count of Tuscany" by Dream Theater. The verse riff is in 9 4, with a rhythm of 3+2+2+3+3+2+3 8. [143] "I Wanna Be a Movie Star" by Bill Wurtz. The main groove is in 9 4, but also includes measures in 11 4, 12 4, 13 4, 7 4, and 12 16. [144]
Roni Sagi and her dog Rhythm have always been in sync. Resting casually on the floor of a production room near the stage of “America’s Got Talent” at the Pasadena Civic Auditorium, Sagi sits ...
The basic series used in the work is presented melodically in section A, an instrumental prelude opening the first movement: E ♭ –E–C–D–D ♭ –B ♭ –B–F ♯ –G–A–A ♭ –F The first five notes of this row are a permuted form of the five-note row Stravinsky used for In Memoriam Dylan Thomas—a chromatic pentachord ...
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