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Terry MacAlmon (born May 12, 1955) is an American Christian singer, songwriter, musician, recording artist, worship leader and author. He is known for writing the popular song 'I Sing Praises', that has been a Top 40 Christian song around the world and is still regularly sung in many churches.
Terry MacAlmon (The Sound of Heaven, 2004) Hillsong (Ultimate Worship, 2005) The O.C. Supertones (Faith of a Child, 2005) Randy Travis (Glory Train: Songs of Faith, Worship, and Praise, 2005) Lincoln Brewster (Let the Praises Ring, 2006) Lenny LeBlanc (Songs 4 Worship: Country, 2007) VeggieTales (“Here i Am To Worship, 2007”)
"Hey Little Cobra" is a song released in 1963 by The Rip Chords about the Shelby Cobra. The song was produced by Terry Melcher and Bruce Johnston, who also sang vocals. [2] The song spent 14 weeks on the Billboard Hot 100 chart, peaking at No. 4, [3] while reaching No. 5 on Canada's CHUM Hit Parade [4] and No. 3 on New Zealand's "Lever Hit ...
Bruce & Terry was an American rock music duo from Los Angeles that was active from 1963 to 1965. Consisting of Columbia Records staff producers Bruce Johnston and Terry Melcher , the pair recorded under a variety of names, and most notably with the band the Rip Chords .
You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard.This demo was originally released on cassette by Elsinor Records.
The three unreleased songs were "Wiameah Bay", an instrumental by the Wrecking Crew, and two Rip Chords hot-rod songs ("Sting Ray" and "XKE") which had been in Columbia's vault since 1965. The fourth song was "Red Hot Roadster", originally scheduled for release as a single but instead appearing on the soundtrack of 1965's A Swingin' Summer . [ 41 ]
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...