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While Aeschylus wrote his play to end with somber mourning for the dead brothers, it now contains an ending that serves as a lead-in of sorts to Sophocles' play: a messenger appears, announcing a prohibition against burying Polynices; his sister Antigone, however, announces her intention to defy this edict.
Aeschylus' popularity is evident in the praise that the comic playwright Aristophanes gives him in The Frogs, produced some 50 years after Aeschylus' death. Aeschylus appears as a character in the play and claims, at line 1022, that his Seven against Thebes "made everyone watching it to love being warlike". [ 51 ]
Aeschylus, in Seven Against Thebes, assigns each of the Seven to one of the seven gates of Thebes, as do Euripides in The Phoenician Women, and Apollodorus. [33] While the names of the gates are similar among these sources, there is little agreement with respect to the assignments. Aeschylus further assigns a Theban defender to each gate. [34]
Aeschylus was not the first to write a play about the Persians — his older contemporary Phrynichus wrote two plays about them. The first, The Sack of Miletus (written in 493 BC, 21 years before Aeschylus' play), concerned the destruction of an Ionian colony of Athens in Asia Minor by the Persians.
Prometheus Bound (Ancient Greek: Προμηθεὺς Δεσμώτης, romanized: Promētheús Desmṓtēs) is an ancient Greek tragedy traditionally attributed to Aeschylus and thought to have been composed sometime between 479 BC and the terminus ante quem of 424 BC.
The Lycurgeia (Ancient Greek: Λυκούργεια, Lykoúrgeia) is a lost tetralogy by the Athenian dramatist Aeschylus that concerned Thracian Lycurgus' conflict with Dionysus and its aftermath. The four plays that made up the Lycurgeia survive only in fragments quoted by ancient authors, and the reconstruction of much of their content is a ...
A small number of verses from these three of Aeschylus' lost works have been saved: fifty-four from Myrmidons, seven from Nereids and twenty-one from Phrygians. A sense of the pace at which additions to this corpus are made can be gleaned from the fact that a papyrus fragment containing seven letters on three lines that could be fitted over a two-line quote from Justin Martyr's dialogue Trypho ...
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