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The song was released in Europe in 1985 in its original, German-language version. For the international markets (United States, UK, Japan, etc.), several different single and extended mixes were produced by Rob Bolland; none of them were solely an English-language version, but the international single versions reduced the German lyrics.
"Åh, Amadeus" is a song written by Freddie Hansson and Peo Thyrén, and recorded by Lena Philipsson at her 1986 debut album "Kärleken är evig" [1] This version peaked at Svensktoppen between 1 June-28 September 1986 and peaked at 7th position during a visit lasting for nine weeks. [2]
The work is scored for two clarinets, two bassoons, two horns in E ♭, strings with divided violas, soprano, piano.. The aria consists of two sections, the recitative, 27 bars in G minor (" Ch'io mi scordi di te?") and the aria itself, 219 bars, a rondò in E-flat major (" Non temer, amato bene ").
Twelve Variations on "Ah vous dirai-je, Maman", K. 265/300e, is a piano composition by Wolfgang Amadeus Mozart, composed when he was around 25 years old (1781 or 1782). This piece consists of twelve variations on the French folk song " Ah! vous dirai-je, maman ".
The original lyrics are probably by Mozart himself; [1] they include the words for "good night" in five different languages (Latin, Italian, French, English, and German). [2] [3] The phrase "gute Nacht, gute Nacht, / scheiß ins Bett daß' kracht", found in the fourth-to-last and third-to-last lines, closely resembles a similar expression found in a postscript to one of Wolfgang's letters by ...
Print/export Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... "Amadeus kolo" (lyrics by Crni Panter, music by L. V. Beethoven) 3:43:
Stock's 1789 miniature of Mozart " Liebes Manndel, wo ist's Bandel?" ("Dearest husband, where's my hatband?"), otherwise known as "Das Bandel" is a terzet (song for three voices) with string accompaniment composed by Wolfgang Amadeus Mozart, K. 441, with lyrics in the Viennese dialect.
For many years, the common view was that the melody was composed by Wolfgang Amadeus Mozart and it was entered into the Köchel catalogue as K. 350. Attribution for the melody has since shifted to either Bernhard Flies or Friedrich Fleischmann , [ 1 ] and it has been removed from the main body of the Köchel catalogue and put into the appendix ...