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Decoupage or découpage ( / ˌdeɪkuːˈpɑːʒ /; [ 1] French: [dekupaʒ]) is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects, gold leaf, and other decorative elements. Commonly, an object like a small box or an item of furniture is covered by cutouts from magazines or from ...
Sebastiano del Piombo 's The Raising of Lazarus was transferred from panel to canvas in 1771. [1] The practice of conserving an unstable painting on panel by transferring it from its original decayed, worm-eaten, cracked, or distorted wood support to canvas or a new panel has been practised since the 18th century.
Aluminium oxynitride (marketed under the name ALON by Surmet Corporation [ 3]) is a transparent ceramic composed of aluminium, oxygen and nitrogen. Aluminium oxynitride is optically transparent (≥ 80%) in the near-ultraviolet, visible, and mid-wave- infrared regions of the electromagnetic spectrum. It is four times as hard as fused silica ...
Polychrome is the "practice of decorating architectural elements, sculpture, etc., in a variety of colors." [ 1] The term is used to refer to certain styles of architecture, pottery, or sculpture in multiple colors. When looking at artworks and architecture from antiquity and the European Middle Ages, people tend to believe that they were ...
Aluminium ( Aluminum in North American English) is a chemical element; it has symbol Al and atomic number 13. Aluminium has a density lower than that of other common metals, about one-third that of steel. It has a great affinity towards oxygen, forming a protective layer of oxide on the surface when exposed to air.
Collage. Collage ( / kəˈlɑːʒ /, from the French: coller, "to glue" or "to stick together"; [ 1]) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole. (Compare with pastiche, which is a "pasting" together.)
The history of glass-making dates back to at least 3,600 years ago in Mesopotamia. However, most writers claim that they may have been producing copies of glass objects from Egypt. [ 1] Other archaeological evidence suggests that the first true glass was made in coastal north Syria, Mesopotamia or Egypt. [ 2]
Scenes were painted onto glass panels of square format, like tiles. The colours were then annealed to the glass before the pieces were assembled. A method used for embellishment and gilding is the decoration of one side of each of two pieces of thin glass, which are then placed back to back within the lead came.