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Semiotics is the study of meaning-making on the basis of signs. Semiotics of photography is the observation of symbolism used within photography or "reading" the picture. This article refers to realistic, unedited photographs not those that have been manipulated in any way.
A symbol depends as a sign on how it will be interpreted, regardless of resemblance or factual connection to its object; but the symbol's individual embodiment is an index to your experience of the object. A symbol is instanced by a specialized indexical sinsign.
In semiotics, signified and signifier (French: signifié and signifiant) are the two main components of a sign, where signified is what the sign represents or refers to, known as the "plane of content", and signifier which is the "plane of expression" or the observable aspects of the sign itself.
The triangle of reference, or semiotic triangle. Figure taken from page 11 of The Meaning of Meaning.. The triangle of reference (also known as the triangle of meaning [1] and the semiotic triangle) is a model of how linguistic symbols relate to the objects they represent.
The denotative meaning of a signifier is intended to communicate the objective semantic content of the represented thing. So, in the case of a lexical word, say "book", the intention is to do no more than describe the physical object. Any other meanings or implications will be connotative meanings.
Semiotics is the theory of symbols and falls in three parts; logical syntax, the theory of the mutual relations of symbols, logical semantics, the theory of the relations between the symbol and what the symbol stands for, and; logical pragmatics, the relations between symbols, their meanings and the users of the symbols." [29]
Literal language is the usage of words exactly according to their direct, straightforward, or conventionally accepted meanings: their denotation. Figurative (or non-literal ) language is the usage of words in a way that deviates from referencing just their conventionally accepted definitions [ 1 ] [ 2 ] - in order to convey a more complex ...
Thus, a symbol denotes by virtue of its interpretant. Its sign-action (semiosis) is ruled by habit, a more or less systematic set of associations that ensures its interpretation. For Peirce, every symbol is general, and that which we call an actual individual symbol (e.g., on the page) is called by Peirce a replica or instance of the symbol. [45]