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The discography of American rapper Trina consists of six studio albums, four EPs, eleven mixtapes and 23 singles. Her debut album, Da Baddest Bitch , was released on March 21, 2000. It reached the top forty in the United States and debuted at eleven on Top R&B/Hip-Hop Albums .
Trina's third album Glamorest Life (2005), spawned the hit single "Here We Go" featuring Kelly Rowland, which was certified gold by the Recording Industry Association of America (RIAA). Her follow-up album Still da Baddest (2008), peaked within the top ten on the Billboard 200 , and reached number one on the US R&B/Hip-Hop Albums .
"B R Right" is a song by American rapper Trina, released to rhythmic and urban contemporary radio on December 8, 2002 as the second and final single from her second studio album, Diamond Princess (2002).
Diamond Princess is the second album by American rapper Trina. It was released on August 27, 2002, through the Atlantic Records and Slip-N-Slide Records . The album debuted at number 14 on the US Billboard 200 and number 5 on the Top R&B/Hip-Hop Albums chart.
Glamorest Life is the third studio album by American rapper Trina.It was released on October 4, 2005, through Slip-N-Slide/Atlantic Records.The recording sessions took place at Studio Center, The Record Room and Circle House Studios in Miami.
"Pull Over" is a song by American rapper Trina, released on February 13, 2000, as the second single from her debut studio album Da Baddest Bitch (2000). It features additional vocals from American rapper Trick Daddy and was produced by Righteous Funk Boogie.
1. The Blow Dryer and Round Brush Combo. First, apply volumizing mousse on your wet hair to hold your style. According to Iudina, you’ll want to blow dry your hair into small sections using a ...
"No Panties" is a two-minute, 42-second hip hop song. [5] [8] The Herald Sun ' s Cyclone Wehner described it as a "techno-hop romp". [6]While reviewing Diamond Princess for The Northern Echo, Andrew White stated that explicit hip hop tracks such as "Nasty Bitch" and "No Panties" represented the album's overall tone. [5]