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The film won Pierre-Louis Thévenet the Goya Award for Best Art Direction at the 14th Goya Awards. It references various works by Goya. It references various works by Goya. There is a scene in which the Duchess, played by Maribel Verdú , is painted in a pose reminiscent of the Black Duchess , her costume featuring a black mantilla.
Portrait of Goya by Vicente López Portaña, c. 1826. Museo del Prado, Madrid. Francisco José de Goya y Lucientes (1746–1828) was a Spanish artist, now viewed as one of the leaders of the artistic movement Romanticism. He produced around 700 paintings, 280 prints, and several thousand drawings.
Francisco de Goya was born in Fuendetodos, Aragón, Spain, on 30 March 1746 to José Benito de Goya y Franque and Gracia de Lucientes y Salvador. The family had moved that year from the city of Zaragoza , but there is no record of why; likely, José was commissioned to work there. [ 4 ]
In 1911 Granados premiered his suite for piano Goyescas, which became his most famous work. It is a set of six pieces based on paintings of Francisco Goya. Such was the success of this work that he was encouraged to expand it. He wrote an opera based on the subject in 1914, but the outbreak of World War I forced the European premiere to be ...
He speculates that Goya's son Javier may have created the paintings, and Javier's son Mariano passed them off as the work of Goya for financial gain. Junquera's theory was rejected by Goya scholar Nigel Glendinning , who published an academic study defending the paintings' authenticity and later held a lecture in Madrid restating his conviction.
Los Caprichos lack an organized and coherent structure, but they have important thematic nuclei. The most prevalent themes are: the superstition around witches, which predominates after Capricho No. 43 and that serves to express ideas about evil in a tragicomic way; the life and behavior of friars; erotic satire relating to prostitution and the role of the matchmaker; and to a lesser extent ...
'Last Light,' a recent book by former Time magazine critic Richard Lacayo, draws on six artists' lives to prove that younger isn't always better.
Goya sought inspiration in typically Spanish motifs, despite having access to more popular works. [20] The painting depicts a scene from Act III of Zamora's comedy, which is a reinterpretation of The Trickster of Seville and the Stone Guest by Tirso de Molina , a retelling of the Don Juan legend.