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The film won Pierre-Louis Thévenet the Goya Award for Best Art Direction at the 14th Goya Awards. It references various works by Goya. It references various works by Goya. There is a scene in which the Duchess, played by Maribel Verdú , is painted in a pose reminiscent of the Black Duchess , her costume featuring a black mantilla.
Francisco de Goya was born in Fuendetodos, Aragón, Spain, on 30 March 1746 to José Benito de Goya y Franque and Gracia de Lucientes y Salvador. The family had moved that year from the city of Zaragoza , but there is no record of why; likely, José was commissioned to work there. [ 4 ]
Portrait of Goya by Vicente López Portaña, c. 1826. Museo del Prado, Madrid. Francisco José de Goya y Lucientes (1746–1828) was a Spanish artist, now viewed as one of the leaders of the artistic movement Romanticism. He produced around 700 paintings, 280 prints, and several thousand drawings.
It is signed "Goya in 1795" in the lower right corner. It is in the collection of the Museo del Prado , Madrid, having been acquired from a private collection. Goya portrayed María Cayetana de Silva a number of other times, notably The White Duchess of the same year and the 1797 Portrait of the Duchess of Alba .
The series was intended by Goya as a commercial venture but this was unsuccessful, partly because of Goya's expressive use of the form was radically different from the tidy appearance of most lithographs of the time. [2] A sense of Goya's working methods can be gained from Goya's companion and assistant in Bordeaux Antonio Brugada
He speculates that Goya's son Javier may have created the paintings, and Javier's son Mariano passed them off as the work of Goya for financial gain. Junquera's theory was rejected by Goya scholar Nigel Glendinning , who published an academic study defending the paintings' authenticity and later held a lecture in Madrid restating his conviction.
It is one of Goya's 14 Black Paintings (Pinturas negras) painted late in his life when, living alone in physical pain, spiritual torment and disillusionment with the political direction of Spain, he painted 14 bleak, agonised frescoes onto the walls of the Quinta del Sordo (House of the deaf man), the house he was living in alone outside Madrid.
The Milkmaid of Bordeaux (Spanish: La lechera de Burdeos) [1] is an oil-on-canvas painting completed between 1825 and 1827, generally attributed to the Spanish artist Francisco Goya (1746–1828). This painting is believed to be one of Goya's last works, completed the year before his death, and considered one of Goya's masterpieces. [2] [3]