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Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language. While it tends to be dominated by poetry , especially the verse forms of the ghazal ( غزل ) and nazm ( نظم ), it has expanded into other styles of writing, including that of the short story, or afsana ...
Ashob remained an historical genre in Persian, Urdu and Turkish literature used by the writers, predominantly by the Mughal poets to express their anguish and sorrows over political and social shifts. [4] [5] The Ashobs are generally describing emotional thoughts of a writer in a narrative poem based on several competencies. [6]
The book's main thesis is a differentiation between two modes of thought: "System 1" is fast, instinctive and emotional; "System 2" is slower, more deliberative, and more logical. The book delineates rational and non-rational motivations or triggers associated with each type of thinking process, and how they complement each other, starting with ...
The cognitive reflection test has three questions that each have an obvious but incorrect response given by system 1. The correct response requires the activation of system 2. For system 2 to be activated, a person must note that their first answer is incorrect, which requires reflection on their own cognition. [2]
The traditional convention in identifying Urdu poets is to mention the takhallus at the end of the name. The word takhallus [5] is derived from Arabic, meaning "ending". This is because in the Ghazal form, the poet would usually incorporate his or her pen name into the final couplet (Arabic: مقطع, romanized: maqta') of each poem.
The Urdu ghazal is a literary form of the ghazal-poetry unique to the Indian subcontinent, written in the Urdu standard of the Hindostani language. It is commonly asserted that the ghazal spread to South Asia from the influence of Sufi mystics in the Delhi Sultanate .
Systems thinking is a way of making sense of the complexity of the world by looking at it in terms of wholes and relationships rather than by splitting it down into its parts. [ 1 ] [ 2 ] It has been used as a way of exploring and developing effective action in complex contexts, [ 3 ] enabling systems change .
[1] [2] In this sense, it is the opposite of the maqta'. It is possible, although extremely rare, for there to be more than one matla ' in a ghazal; in this case the second is referred to as matla'-e-sani, literally 'the second matla ' '. It is important part because it establishes the overall form and mood of the entire ghazal.