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The yowlah involves dance, drum music, and chanted poetry; its routine is meant to simulate a battle scene. Two rows of about twenty men face each other, carrying thin sticks of bamboo to signify spears or swords. (The performance can alternatively make use of dummy rifles made entirely of wood and metal plating or real rifles, swords, or spears.)
In British military jargon of the first half of the 20th century, a "base wallah" is someone employed at a military base, or with a job far behind the front lines. [6] There were a number of other words of this type, such as "camel wallah" and "machine-gun wallah", and more. [7] "Base wallah" had a derogatory reference for a person who is ...
Etighi is a Nigerian dance. The etighi dance was founded by the Akwa Ibom people.The dance requires movement of the leg and the waist. The dance is known across Nigeria and popularly used by the Ibibio and Efik people where its origin began.
Music and dance are essential components of Owambe parties, providing entertainment for guests. [8] A variety of musical genres are played, ranging from traditional to modern, with diverse dance styles. [2] Some popular musicians who perform at Owambe parties include King Sunny Adé, Ebenezer Obey, and others. Guests often engage in dance ...
Nigerian English, also known as Nigerian Standard English, is a variety of English spoken in Nigeria. [1] Based on British and American English, the dialect contains various loanwords and collocations from the native languages of Nigeria, due to the need to express concepts specific to the cultures of ethnic groups in the nation (e.g. senior wife).
The people of the North are known for complex percussion instrument music, the one-stringed goje, and a strong praise song vocal tradition.Under Muslim influence since the 14th century, Hausa music uses free-rhythmic improvisation and the Pentatonic scale, similar to other Muslim Sahelian tribes throughout West Africa, such as the Bambara, Kanuri, Fulani and Songhai.
Ayo (Yoruba: Ayò Ọlọ́pọ́n) is a traditional mancala played by the Yoruba people in Nigeria. It is very close to the Oware game that spread to the Americas with the atlantic slave trade . Among modern mancalas, which are most often derived from Warri, the Kalah is a notable one that has essentially the same rules as Ayo.
Rural folk music includes styles that accompany the young girls' asauwara dance and the bòòríí or Bori religion both well known for their music. [3] It has been brought as far north as Tripoli, Libya by trans-Saharan trade. The bòòríí cult features trance music, played by calabash, lute or fiddle.