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Rahab (Hebrew: רַהַב, Modern: Rahav, Tiberian: Rahaḇ, "blusterer") is used in the Hebrew Bible to indicate pride or arrogance, a mystical sea monster, as an emblematic or poetic name for Egypt, [1] and for the sea. [2] Rahab (Hebrew: רָחָב, Rachav, "spacious place") is also one of the Hebrew words for the Abyss.
This is an outline of commentaries and commentators.Discussed are the salient points of Jewish, patristic, medieval, and modern commentaries on the Bible. The article includes discussion of the Targums, Mishna, and Talmuds, which are not regarded as Bible commentaries in the modern sense of the word, but which provide the foundation for later commentary.
The earliest historical record of an instrument named rabab dates back to 10th-century Arabic texts, as identified by Henry George Farmer. This instrument, along with its variations like rubab , rebab , and rabob , subsequently gained popularity in various regions of West, Central, South, and Southeast Asia. [ 5 ]
[8] [7] The rabab was gradually replaced by the sarod, another stringed instrument, in Sikh musical circles. [8] [7] There have been attempts at reviving the rababi tradition, as there still remains descendants of traditional rababi families living. [7] Photograph of a rababi of Nabha State holding a rabab. The last of the line of rababis was ...
Rahab (center) in James Tissot's The Harlot of Jericho and the Two Spies.Rahab (/ ˈ r eɪ h æ b /; [1] Hebrew: רָחָב, Modern: Raẖav, Tiberian: Rāḥāḇ, "broad", "large") was, according to the Book of Joshua, a Gentile and a Canaanite woman who resided within Jericho in the Promised Land and assisted the Israelites by hiding two men who had been sent to scout the city prior to ...
It contains three types of commentary: (1) the p'shat, which discusses the literal meaning of the text; this has been adapted from the first five volumes of the JPS Bible Commentary; (2) the d'rash, which draws on Talmudic, Medieval, Chassidic, and Modern Jewish sources to expound on the deeper meaning of the text; and (3) the halacha l'maaseh ...
The repertoire of sarangi players is traditionally very closely related to vocal music. Nevertheless, a concert with a solo sarangi as the main item will sometimes include a full-scale raag presentation with an extensive alap (the unmeasured improvisatory development of the raga) in increasing intensity ( alap to jor to jhala ) and several ...
The Ancient Christian Commentary on Scripture (ACCS) is a twenty-nine volume set of commentaries on the Bible published by InterVarsity Press.It is a confessionally collaborative project as individual editors have included scholars from Eastern Orthodoxy, Roman Catholicism, and Protestantism as well as Jewish participation. [1]