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1. Wrap-Around Design. This delicate and edgy serpent tattoo is the ultimate design for a sleeve that is both cohesive yet intricate. Representing transformation, rebirth and power, the snake is a ...
A sleeve tattoo or tattoo sleeve is a large tattoo or collection of smaller tattoos that covers most or all of a person's arm. There is a difference between an arm covered in tattoos and a sleeve tattoo: a sleeve tattoo has a unified theme, whereas an arm covered in tattoos may have many tattoos of different styles that does not have an overall ...
Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
A short video recorded during the making of a tattoo. Nitrile gloves are used during the process to avoid infections while perforating the skin. A sailor's forearm tattooed with a rope-and-anchor drawing, against the original sketch of the design; see sailor tattoos. An example of a tattoo design Application of a tattoo to a woman's foot
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In 1964, the leg-baring mini-skirt was introduced and became a white-hot trend. Fashion designers then began to experiment with the shapes of garments: loose sleeveless dresses, micro-minis, flared skirts, and trumpet sleeves. Fluorescent colors, print patterns, bell-bottom jeans, fringed vests, and skirts became de rigueur outfits of the 1960s ...
The decoration of blues singer Janis Joplin with a wristlet and a small heart on her left breast, by the San Francisco tattoo artist Lyle Tuttle, has been called a seminal moment in the popular acceptance of tattoos as art. Formal interest in the art of the tattoo became prominent in the 1970s through the beginning of the 21st century. [147]
Steal Your Face is a live double album by the Grateful Dead, released in June 1976.It is the band's fifth live album and thirteenth overall. The album was recorded October 17–20, 1974, at San Francisco's Winterland Ballroom, during a "farewell run" that preceded a then-indefinite hiatus.