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The Christiad (Latin Christias) is an epic poem in six cantos on the life of Jesus Christ by Marco Girolamo (Marcus Hieronymus) Vida modeled on Virgil. It was first published in Cremona in 1535 (see 1535 in poetry). [1] According to Watson Kirkconnell, the Christiad, "was one of the most famous poems
The word seolf "self" occurs over 22 times in the poem, [15] leaving scholars to speculate about the thematic elements of self-identity within the piece. Satan confuses himself with God and deceives his demons into believing that he is the ultimate Creator, while the seolf of Christ is emphasized many times throughout the piece.
The employment of unusual forms of language cannot be considered as a sign of ancient Hebrew poetry. In Genesis 9:25–27 and elsewhere the form lamo occurs. But this form, which represents partly lahem and partly lo, has many counterparts in Hebrew grammar, as, for example, kemo instead of ke-; [2] or -emo = "them"; [3] or -emo = "their"; [4] or elemo = "to them" [5] —forms found in ...
However, several rhythmic and structural patterns as well as the inclusion of couplets are elements influenced by the sonnet form developed by English poet and playwright William Shakespeare (1564–1616). Donne's work, both in love poetry and religious poetry, places him as a central figure among the Metaphysical poets. The nineteen poems that ...
The Oxford Book of English Mystical Verse was a poetry anthology edited by Daniel Howard Sinclair Nicholson and Arthur Hugh Evelyn Lee, and published in 1917 by the Oxford University Press. The compilation contains much religious verse, mainly from English Christian traditions, and some from other religions.
However, the Bible has been treated and appreciated as literature; the King James Version in particular has long been considered a masterpiece of English prose, whatever may be thought of its religious significance. Several retellings of the Bible, or parts of the Bible, have also been made with the aim of emphasising its literary qualities.
Christ I is found on folios 8r-14r of the Exeter Book, a collection of Old English poetry today containing 123 folios. The collection also contains a number of other religious and allegorical poems. [3] Some folios have been lost at the start of the poem, meaning that an indeterminate amount of the original composition is missing. [4]
Like many poems of the Anglo-Saxon period, The Dream of the Rood exhibits many Christian and pre-Christian images, but, in the final analysis, is a Christian piece. [24] Examining the poem as a pre-Christian (or pagan) text is difficult, as the scribes who wrote it down were Christian monks who lived in a time when Christianity was firmly ...