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Louis XIV furniture. Cabinet on a stand by André-Charles Boulle (1675–80). Oak veneered with pewter, brass, tortoise shell, horn, ebony, ivory, and wood marquetry; bronze mounts; figures of painted and gilded oak; drawers of snakewood (J. Paul Getty Museum, Los Angeles) The furniture of Louis XIV was massive and lavishly covered with ...
Cultured marble countertops are man made vanity tops that have the appearance of and resemble real stone marble. [6] Cultured marble countertops are made by mixing high strength polyester resin and real marble stone dust. The combination is then formulated with additional chemicals and poured into a cast mold. These molds can ultimately produce ...
Commodes were made by ébénistes; the French word for "cabinet-maker" is derived from ebony, a black tropical hardwood notable as a foreign luxury. The beautiful wood was complemented with ormolu (gilt-bronze drawer pulls). The piece of furniture would be provided with a marble slab top [4] selected to match the marble of the chimneypiece.
Marquetry (also spelled as marqueterie; from the French marqueter, to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial ...
Louis XVI style, also called Louis Seize, is a style of architecture, furniture, decoration and art which developed in France during the 19-year reign of Louis XVI (1774–1792), just before the French Revolution. It saw the final phase of the Baroque style as well as the birth of French Neoclassicism. The style was a reaction against the ...
With the death of Louis XV on May 10, 1774, his grandson Louis XVI became King of France at age twenty. The new king had little interest in the arts, but his wife, Marie-Antoinette, and her brothers-in-law, the Comte de Provence (the future Louis XVIII) and the Comte d'Artois (the future Charles X), were deeply interested in the arts, gave their protection to artists, and ordered large amounts ...
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