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Eugène Samuel Grasset, poster for an exhibition of French decorative art at the Grafton Galleries, 1893. Eugène Samuel Grasset (French pronunciation: [øʒɛn samɥɛl ɡʁasɛ]; 25 May 1845 – 23 October 1917) was a Swiss [1] decorative artist who worked in Paris, France in a variety of creative design fields during the Belle Époque.
The term Art Nouveau was first used in the 1880s in the Belgian journal L'Art Moderne to describe the work of Les Vingt, twenty painters and sculptors seeking reform through art. The name was popularized by the Maison de l'Art Nouveau ('House of the New Art'), an art gallery opened in Paris in 1895 by the Franco-German art dealer Siegfried Bing.
Art Nouveau posters and graphic arts flourished and became an important vehicle of the style, thanks to the new technologies of color lithography and color printing, which allowed the creation of and distribution of the style to a vast audience in Europe, the United States and beyond. Art was no longer confined to art galleries, but could be ...
Art Nouveau and Gothic Revival acanthus designed as a bronze element of a stained glass window of Bijouterie Fouquet in Paris, by Alphonse Mucha, c.1900, charcoal drawing, Musée Carnavalet, Paris Art Nouveau corbels with Byzantine Revival acanthuses on the portico monumental Jules-Félix Coutan in the Félix-Desruelles Square , Paris, by Jules ...
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration.
In architecture and decorative art, ornament is decoration used to embellish parts of a building or object. Large figurative elements such as monumental sculpture and their equivalents in decorative art are excluded from the term; most ornaments do not include human figures, and if present they are small compared to the overall scale.
Others consider that it is the incarnation of Art Nouveau in England. [5] Others consider Art and Crafts to be in opposition to Art Nouveau. [6] Arts and Crafts indeed criticized Art Nouveau for its use of industrial materials such as iron. In Japan, it emerged in the 1920s as the Mingei movement.
Articles related to the decorative arts, arts or crafts whose object is the design and manufacture of objects that are both beautiful and functional. It includes most of the arts making objects for the interiors of buildings, and interior design, but not usually architecture.
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