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The Descent from the Cross, also known as the Deposition of Christ, is a subject in Christian art that is based on several passages in the Bible. The main scriptural basis for this subject can be found in the Gospels of Matthew (Mt. 27: 57-60), Gospels of Mark (Mk. 15:43-46), Gospels of Luke (Lk. 23:50-53), and Gospels of John (Jn. 19:38-42 ...
The Descent from the Cross c. 1435.Oil on oak panel, 220cm × 262 cm. Museo del Prado, Madrid The Descent from the Cross (or Deposition of Christ, or Descent of Christ from the Cross, or in Flemish Kruisafneming) is a panel painting by the Flemish artist Rogier van der Weyden created c. 1435, now in the Museo del Prado, Madrid.
Rosso Fiorentino. Descent from the Cross. 1521.Oil on wood. 375 × 196 cm. Pinacoteca Comunale di Volterra, Italy.. The Descent from the Cross (Greek: Ἀποκαθήλωσις, Apokathelosis), or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion (John 19, John 19:38–42).
Pages in category "Paintings of the Descent from the Cross" The following 32 pages are in this category, out of 32 total. This list may not reflect recent changes .
The large-size altarpiece revolutionizes the usual illustrations of Jesus' Descent from the Cross of the Cinquecento and engrosses the idea of the holy Eucharist: The kneeling lady in the foreground as a symbolic embodiment of the duchess who receives the Body of Christ like a lover for supper (cf. John 6:54–59). [4]
The Descent from the Cross is a c.1618 oil on canvas painting by Peter Paul Rubens and his studio. The broad free brushstrokes of the old man's body and robes point to Rubens' pupil Anthony van Dyck .
Jesus himself is portrayed in a realistic fashion, with his body slumped and twisted rather unsettlingly as he is carried down the cross displaying the lifeless quality of his form. Jesus' physical body shape is very rounded, almost Rubenesque, raising the question of whether Rembrandt was influenced by Rubens' notably voluptuous figures. [2]
The painting is known as the Christ of Saint John of the Cross, because its design is based on a drawing by the 16th-century Spanish friar John of the Cross. [1] The composition of Christ is also based on a triangle and circle (the triangle is formed by Christ's arms; the circle is formed by Christ's head).
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