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Apocalyptic fiction is a subgenre of science fiction that is concerned with the end of civilization due to a potentially existential catastrophe such as nuclear warfare, pandemic, extraterrestrial attack, impact event, cybernetic revolt, technological singularity, dysgenics, supernatural phenomena, divine judgment, climate change, resource depletion or some other general disaster.
U.S. television science fiction is a popular genre of television in the United States that has produced many of the best-known and most popular science fiction shows in the world. Most famous of all, and one of the most influential science-fiction series in history, is the iconic Star Trek and its various spin-off shows, which comprise the Star ...
The mathematician and science fiction writer Vernor Vinge coined the term to denote a juncture when artificial intelligence (AI) equals, and then in an intelligence explosion, far exceeds man intelligence.” [33] In laymen's terms, technological singularity is the theoretical future moment when artificial intelligence surpasses human ...
It could be a highly anticipated sequel or a big budget film with state-of-the-art special effects or major stars generating considerable attention. [1] Although it is subjective what is and what isn't considered an event movie, they are usually among the highest-grossing movies in their years of release and become a part of popular culture.
British television science fiction began in 1938 when the broadcast medium was in its infancy with the transmission of a partial adaptation of Karel Čapek's play R.U.R.. Despite an occasionally chequered history, programmes in the genre have been produced by both the BBC and the largest commercial channel, ITV .
According to Vivian Sobchack, a British cinema and media theorist and cultural critic: . Science fiction film is a film genre which emphasizes actual, extrapolative, or 2.0 speculative science and the empirical method, interacting in a social context with the lesser emphasized, but still present, transcendentalism of magic and religion, in an attempt to reconcile man with the unknown.
The science fiction computer game Space Rogue featured the use of technologically harnessed wormholes called "Malir gates" as mechanisms for interstellar travel. Navigation through the space within wormholes was a part of gameplay and had its own perils.
A special effect of a miniature person from the 1952 film The Seven Deadly Sins. Special effects (often abbreviated as F/X or simply FX) are illusions or visual tricks used in the theatre, film, television, video game, amusement park and simulator industries to simulate the imagined events in a story or virtual world.